"Okay, here we go."
After all the morning, I set fire to the furnace and the fire floor, and I put my face up and tempered myself. I still need to finish what is only a stick of hard sheet metal on four sides into a spear ear today.
I want to make four today tomorrow, three by the end of the day, given the stone clash and pattern.
Heat the fire floor with an iron stick that just solidified yesterday. It takes a while to heat it up when you include the pasted product around it. Even if it softens only on the outside, I can't even process it on the boulder if the inside remains stiff...
It shapes where the heat has gone all the way inside. The eartips are not covered with hard steel before they are shaped. This place will be shaped so that the other four hard sides of steel will extend and fill just fine. Naturally, a little thickness is applied to the four sides, including the portion.
Repeat heating and machining several times. When machining, of course, we do our best to weave in plenty of magic around us. The circumference of the ear was thin properly, thick according to the direction towards the center, and along the way he also applied a dent like a bamboo. This should combine hardness and lightness.
The root part was not in the form of a pattern insertion, but was made of the same stem as the stem of the knife so that it would be sandwiched and secured in the pattern.
This way I could have something shaped like a knife that was unopposed in appearance stuck to my back alignment. If you put baked blade soil on this and cook it, you should also be able to put blade marks on it, but you can't do the exact same thing.
And I just wanted to say, maybe I could do it. However, since it may be suspicious until whether it is the exact same or not, the baking itself does the same as when making swords and knives. There are no blade marks.
When the hot ear was placed in a tank filled with water to a temperature suitable for incineration, the sound of a joo familiar to the ear sounded in a sense to the blacksmith.
Wait a while and pull this up again where it drops to the right temperature. Confirm the condition while searing and baking with the flame of the fire bed.
The colour is still dull, but it seems to be well done as an ear.
When polished up gently, Ho revealed a chiralli and silver appearance. Put a blade on the ear with a grinding wheel. Priority will be given to work there, mainly because it will use a spike at the tip of the ear.
The sound of making sheet metal is now mixed with the sound of shrishli. It's also like music that's different from when you were tapping it on the gold floor.
"Ha, this is how you can do it"
That's what Anne said, apparently she was looking a little sideways at my work. Even so, they're doing their work exactly. You're clever.
"That's right. This time my parents are doing this, but there are many other ways to do it..."
Rike began to explain quickly. The way tension rises in places like this should be called a raw blacksmith, yeah. I think so.
Sassy process the appropriate wood that was rolling between them with your own knife to create a temporary pattern. Keep the tip in two separate shapes and insert the ear stem there.
The stem creates a hole similar to the nail hole, so if you hit the nail to go through there and wrap it around with a leather string and glue, the prototype is complete.
"Hey, Helen."
I called Helen. She replies as she lowers the cloth she had on her mouth.
"What?
"Can you give me a hand right now?
Thermia nodded as Helen sent her gaze to Thermia.
"Fine."
"Give this guy a try"
"Here? Outside?"
"Outside, of course. Sorry I'm working on it."
"Aizoo's new work and a cheap one."
Helen said, catching the spear I threw Poi well. I go outside turning the shoulders of those who don't have glue and spears.
So can I make sure I'm good, but I was excited to have a chance to see how much Helen is a spear user, and then I followed.
"Okay, here we go."
After all the morning, I set fire to the furnace and the fire floor, and I put my face up and tempered myself. I still need to finish what is only a stick of hard sheet metal on four sides into a spear ear today.
I want to make four today tomorrow, three by the end of the day, given the stone clash and pattern.
Heat the fire floor with an iron stick that just solidified yesterday. It takes a while to heat it up when you include the pasted product around it. Even if it softens only on the outside, I can't even process it on the boulder if the inside remains stiff...
It shapes where the heat has gone all the way inside. The eartips are not covered with hard steel before they are shaped. This place will be shaped so that the other four hard sides of steel will extend and fill just fine. Naturally, a little thickness is applied to the four sides, including the portion.
Repeat heating and machining several times. When machining, of course, we do our best to weave in plenty of magic around us. The circumference of the ear was thin properly, thick according to the direction towards the center, and along the way he also applied a dent like a bamboo. This should combine hardness and lightness.
The root part was not in the form of a pattern insertion, but was made of the same stem as the stem of the knife so that it would be sandwiched and secured in the pattern.
This way I could have something shaped like a knife that was unopposed in appearance stuck to my back alignment. If you put baked blade soil on this and cook it, you should also be able to put blade marks on it, but you can't do the exact same thing.
And I just wanted to say, maybe I could do it. However, since it may be suspicious until whether it is the exact same or not, the baking itself does the same as when making swords and knives. There are no blade marks.
When the hot ear was placed in a tank filled with water to a temperature suitable for incineration, the sound of a joo familiar to the ear sounded in a sense to the blacksmith.
Wait a while and pull this up again where it drops to the right temperature. Confirm the condition while searing and baking with the flame of the fire bed.
The colour is still dull, but it seems to be well done as an ear.
When polished up gently, Ho revealed a chiralli and silver appearance. Put a blade on the ear with a grinding wheel. Priority will be given to work there, mainly because it will use a spike at the tip of the ear.
The sound of making sheet metal is now mixed with the sound of shrishli. It's also like music that's different from when you were tapping it on the gold floor.
"Ha, this is how you can do it"
That's what Anne said, apparently she was looking a little sideways at my work. Even so, they're doing their work exactly. You're clever.
"That's right. This time my parents are doing this, but there are many other ways to do it..."
Rike began to explain quickly. The way tension rises in places like this should be called a raw blacksmith, yeah. I think so.
Sassy process the appropriate wood that was rolling between them with your own knife to create a temporary pattern. Keep the tip in two separate shapes and insert the ear stem there.
The stem creates a hole similar to the nail hole, so if you hit the nail to go through there and wrap it around with a leather string and glue, the prototype is complete.
"Hey, Helen."
I called Helen. She replies as she lowers the cloth she had on her mouth.
"What?
"Can you give me a hand right now?
Thermia nodded as Helen sent her gaze to Thermia.
"Fine."
"Give this guy a try"
"Here? Outside?"
"Outside, of course. Sorry I'm working on it."
"Aizoo's new work and a cheap one."
Helen said, catching the spear I threw Poi well. I go outside turning the shoulders of those who don't have glue and spears.
So can I make sure I'm good, but I was excited to have a chance to see how much Helen is a spear user, and then I followed.
