Chapter 1810: Back to the set
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As soon as Joseph turned his head, he saw Hugo standing at the door of the car. Hugo was wearing a policeman. Checking the uniform, the clothes were ironed neatly and fit, without even a trace of wrinkles; the hair was kept intact, and even the hair on the temples was well combed. The whole body looks perfect, as if there is no trace of flaws in his sight.
Hugo is still the Hugo, and there are hardly too many differences. Although the gold glasses are not like Hugo’s usual style, they are not conspicuous. I only feel that every detail of the overall shape is so "rainy." Fruit", but all the details are integrated but it is not Hugo. This may be after "before sunrise", Hugo's appearance in the movie is the closest to his own feeling, but the actual effect is just the opposite. The man in front of him is almost completely different from Hugo, so unfamiliar.
At this time, a large group of people stood bustlingly at the door of the RV, the scene was so lively, there were many reporters among them. Hearing the sound of the car door opening, everyone turned their heads, and then they saw Hugo at the door.
Nicholas McLean looked at Hugo in front of him, with a very strange feeling. He felt that Hugo now looks very small, very thin, especially in that uniform, it looks even more...weak and involuntary. Dumbfounding.
At this moment, the corner of Hugo's mouth formed a polite smile, the shallow arc, the gentleman's etiquette, everything was so accurate, as if it were carefully arranged. But Nicholas saw in his eyes, there was a kind of indescribable rejection. He felt...that there was a hypocritical taste, and people couldn't help but want to frown, and turned around and wanted to spit out with his colleagues. However, this kind of hypocrisy is not too obvious, but there is a faintly unpleasant atmosphere, the rigid, stubborn, hypocritical and pedantic aura flutters like nothing.
The first impression is probably this kind of feeling. Some people’s first impression, even if they don’t say anything, gives people a sense of intimacy; for some people, everything is perfect when they meet for the first time. The gentleman is polite and has a degree of advancement and retreat, but the sense of distance and hypocrisy is swayed. Don't go; some people just need to meet up, which is disgusting, maybe it's a word, maybe it's just a look, maybe it's just a look.
Of course, the first impression is deceptive, which is a fact, but in many cases, the first impression will often determine the attitude and content of subsequent contacts and acquaintances. It is not so easy to reverse the first impression.
The first impression of Hugo is mostly gentle, sunny, and gentleman. This also causes many people to underestimate Hugo-especially the uncrowned kings, so they have repeatedly eaten in Hugo's hands. But today, Hugo is just one stop ahead, that kind of "first impression" is very bad, not only repulsive, but even an indescribable sense of disgust.
This is actually very unreasonable, because Hugo is standing at the door of the RV, without speaking or moving. The initial impression shouldn't be such a huge deviation.
If someone pays close attention at this time, they will find that more than half of the people standing around the RV are frowning slightly. The other half of those who did not observe that carefully or who were more nervous were still noisy, and even started to move around because of the appearance of Hugo.
Joseph naturally observed Hugo’s changes, and he knew nothing more about Hugo’s state. He knew that Hugo had already substituted himself into the role, but after experiencing the "death prisoner's walk"-- There are too few performance tests in "Independence Day"-this is the first time Hugo has truly devoted himself to a role, and Joseph is still a little worried.
Therefore, Joseph looked at Hugo nervously, curious about his next move.
But then, Hugo lowered his head, tidyed up the shirt he didn’t need to tidy up, and coughed slightly. When he raised his head again, the smile on the corner of his mouth was slightly outlined, looked at Joseph, and asked. , "Joe, I shouldn't be late yet, am I?"
Hugo is back.
Joseph could clearly feel that this was the Hugo he was familiar with, which made Joseph breathe a sigh of relief, "No, there are two minutes left."
Hugo raised his eyebrows and said in a panic, "Oh, oh, I'm going to be late." Then he walked down quickly and looked around, but didn't know what he was looking at, Joseph followed closely. , "On your left." Joseph knew that Hugo was looking for the shooting location of the first scene.
Hugo suddenly realized, and then walked over quickly, Joseph followed closely behind. At the same time, a large number of people came to their senses and followed Hugo closely. Various voices came over, "Hugo, what did you do in the RV", "You were working with the crew just now." Is there any friction among personnel?", "How are you feeling now"...
Nicholas did not follow, but froze in place, thinking carefully, "Did I get dazzled just now?" Because he only felt that Hugo had become different, but in the blink of an eye Hugo had recovered. As it is, it seems that the "first impression" just now is just his illusion.
However, Nicholas looked around and found that seven or eight people had stayed where they were. Everyone's expressions were full of doubts. Even James Rattle still looked like a ghost. Nicholas knew it was not his own illusion.
"Acting skills!" This thought suddenly crashed into Nicholas' mind, and everything was explained in an instant. The Hugo who just came out of the RV was obviously not the real Hugo, but in the "L.A. Secret". character of. Hugo was in the RV just now, just trying to figure out the role.
Although Nicholas has heard many professionals lament Hugo’s outstanding acting skills, not just "Death Row", including his previous works, Hugo’s aura and talent displayed in his film works have repeatedly made people amazed; But until today, Nicholas really felt this: because he saw this process with his own eyes!
More often, they just see the finished movie and see the actor injecting soul into a character in the movie, but as audiences, it is difficult for them to see the effort put into the performance by the actor. But just now, he saw the subtle but deep soul changes. To be precise, he couldn't even see the specific performance changes and traces, but Hugo's whole person felt completely different. This is simply It's amazing. Nicholas had no idea that Hugo's control of performances was so delicate and precise.
Nicholas just wanted to scream with excitement! After realizing what he had just witnessed, Nicholas rushed forward excitedly, just wanting to prove his idea. While running, he turned around and greeted James and others who were still stunned in place, "Quick, quick Keep up! Don't miss it!"
James and the others didn't know what Nicholas meant, but they still followed up looking at each other.
After experiencing the "Death Row", Hugo's acting has indeed entered a whole new world, which is a very interesting process. The most basic thing for an actor is entering and exiting a play. How to quickly enter the state of performance, and how to distinguish between reality and performance are the basic skills of any actor.
In the first stage, Hugo can easily enter and exit the play, leaving the best performance state to the camera, and even can drive the actors in the same performance into the state together; after entering the second stage, Hugo enters the play Going deeper and deeper, I began to ponder the details of controlling my performance, and truly entered the hall of methodological performance; in the third stage, Hugo tried to control the accuracy of the performance. At the moment of entering the soul, he used the most accurate performance to deliver the most real Reaction, this is Hugo's initial attempt to integrate method-based acting and performance-based acting.
The culmination of the third stage is "Death Row". In this movie, Hugo almost completely loses control. After entering the play, there is no way to play. The whole person is completely lost in the role and even lost himself. The whole performance also reached the height of the integration of soul and character.
From the perspective of performance, Hugo is undoubtedly a success. The affirmation of film critics and many awards illustrates this point; but from the perspective of an actor, Hugo failed because he can enter the show. But there is no way to play.
The British academy acting system has always advocated a theory. The so-called actor cannot perform only one role. In the career of an actor, he needs to play one hundred, one thousand, or even ten thousand different roles. This is an actor. His own job is also the basis of the actor's skills.
This theory should be interpreted in this way. An actor cannot play only one role in his life, otherwise he cannot be called an actor, but can only be called a "professional imitator of a certain role."
For example, the most famous Nicholas CageAway from Casino" This work allowed him to climb to the peak of his career. The actor Ben Sanderson he portrayed almost became a classic on the screen. But Nicholas's "facial paralysis acting" method is applied to almost every movie of his, it looks like Ben Sanderson appears in a different movie. This is undoubtedly a failure for the actor. Yes, this is why film critics criticized Nicholas a lot.
It’s a good thing that the actor is too introverted to extricate himself, because the actor injects the soul into the role, but if it has been so and never knows what to do, then the actor can’t be regarded as a really good actor, just for that particular role. Professional households only.
Therefore, an actor must not only be able to enter the play, but also be able to play and be able to control the role, rather than being controlled by the role.
In the later period of "Death Row", Hugo was able to gradually re-act and control the rhythm of the performance in his own hands. Now, after Hugo has opened a new world door, he has entered the so-called fourth stage, "seeing the mountain or the mountain, watching the water or the water", freely letting himself enter the role state anytime, anywhere, and re-acting anytime, anywhere Separate from life and return to reality.
Therefore, the performance just now can only be regarded as a small test. Hugo can deeply feel the excitement, and it feels good to return to the set.
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As soon as Joseph turned his head, he saw Hugo standing at the door of the car. Hugo was wearing a policeman. Checking the uniform, the clothes were ironed neatly and fit, without even a trace of wrinkles; the hair was kept intact, and even the hair on the temples was well combed. The whole body looks perfect, as if there is no trace of flaws in his sight.
Hugo is still the Hugo, and there are hardly too many differences. Although the gold glasses are not like Hugo’s usual style, they are not conspicuous. I only feel that every detail of the overall shape is so "rainy." Fruit", but all the details are integrated but it is not Hugo. This may be after "before sunrise", Hugo's appearance in the movie is the closest to his own feeling, but the actual effect is just the opposite. The man in front of him is almost completely different from Hugo, so unfamiliar.
At this time, a large group of people stood bustlingly at the door of the RV, the scene was so lively, there were many reporters among them. Hearing the sound of the car door opening, everyone turned their heads, and then they saw Hugo at the door.
Nicholas McLean looked at Hugo in front of him, with a very strange feeling. He felt that Hugo now looks very small, very thin, especially in that uniform, it looks even more...weak and involuntary. Dumbfounding.
At this moment, the corner of Hugo's mouth formed a polite smile, the shallow arc, the gentleman's etiquette, everything was so accurate, as if it were carefully arranged. But Nicholas saw in his eyes, there was a kind of indescribable rejection. He felt...that there was a hypocritical taste, and people couldn't help but want to frown, and turned around and wanted to spit out with his colleagues. However, this kind of hypocrisy is not too obvious, but there is a faintly unpleasant atmosphere, the rigid, stubborn, hypocritical and pedantic aura flutters like nothing.
The first impression is probably this kind of feeling. Some people’s first impression, even if they don’t say anything, gives people a sense of intimacy; for some people, everything is perfect when they meet for the first time. The gentleman is polite and has a degree of advancement and retreat, but the sense of distance and hypocrisy is swayed. Don't go; some people just need to meet up, which is disgusting, maybe it's a word, maybe it's just a look, maybe it's just a look.
Of course, the first impression is deceptive, which is a fact, but in many cases, the first impression will often determine the attitude and content of subsequent contacts and acquaintances. It is not so easy to reverse the first impression.
The first impression of Hugo is mostly gentle, sunny, and gentleman. This also causes many people to underestimate Hugo-especially the uncrowned kings, so they have repeatedly eaten in Hugo's hands. But today, Hugo is just one stop ahead, that kind of "first impression" is very bad, not only repulsive, but even an indescribable sense of disgust.
This is actually very unreasonable, because Hugo is standing at the door of the RV, without speaking or moving. The initial impression shouldn't be such a huge deviation.
If someone pays close attention at this time, they will find that more than half of the people standing around the RV are frowning slightly. The other half of those who did not observe that carefully or who were more nervous were still noisy, and even started to move around because of the appearance of Hugo.
Joseph naturally observed Hugo’s changes, and he knew nothing more about Hugo’s state. He knew that Hugo had already substituted himself into the role, but after experiencing the "death prisoner's walk"-- There are too few performance tests in "Independence Day"-this is the first time Hugo has truly devoted himself to a role, and Joseph is still a little worried.
Therefore, Joseph looked at Hugo nervously, curious about his next move.
But then, Hugo lowered his head, tidyed up the shirt he didn’t need to tidy up, and coughed slightly. When he raised his head again, the smile on the corner of his mouth was slightly outlined, looked at Joseph, and asked. , "Joe, I shouldn't be late yet, am I?"
Hugo is back.
Joseph could clearly feel that this was the Hugo he was familiar with, which made Joseph breathe a sigh of relief, "No, there are two minutes left."
Hugo raised his eyebrows and said in a panic, "Oh, oh, I'm going to be late." Then he walked down quickly and looked around, but didn't know what he was looking at, Joseph followed closely. , "On your left." Joseph knew that Hugo was looking for the shooting location of the first scene.
Hugo suddenly realized, and then walked over quickly, Joseph followed closely behind. At the same time, a large number of people came to their senses and followed Hugo closely. Various voices came over, "Hugo, what did you do in the RV", "You were working with the crew just now." Is there any friction among personnel?", "How are you feeling now"...
Nicholas did not follow, but froze in place, thinking carefully, "Did I get dazzled just now?" Because he only felt that Hugo had become different, but in the blink of an eye Hugo had recovered. As it is, it seems that the "first impression" just now is just his illusion.
However, Nicholas looked around and found that seven or eight people had stayed where they were. Everyone's expressions were full of doubts. Even James Rattle still looked like a ghost. Nicholas knew it was not his own illusion.
"Acting skills!" This thought suddenly crashed into Nicholas' mind, and everything was explained in an instant. The Hugo who just came out of the RV was obviously not the real Hugo, but in the "L.A. Secret". character of. Hugo was in the RV just now, just trying to figure out the role.
Although Nicholas has heard many professionals lament Hugo’s outstanding acting skills, not just "Death Row", including his previous works, Hugo’s aura and talent displayed in his film works have repeatedly made people amazed; But until today, Nicholas really felt this: because he saw this process with his own eyes!
More often, they just see the finished movie and see the actor injecting soul into a character in the movie, but as audiences, it is difficult for them to see the effort put into the performance by the actor. But just now, he saw the subtle but deep soul changes. To be precise, he couldn't even see the specific performance changes and traces, but Hugo's whole person felt completely different. This is simply It's amazing. Nicholas had no idea that Hugo's control of performances was so delicate and precise.
Nicholas just wanted to scream with excitement! After realizing what he had just witnessed, Nicholas rushed forward excitedly, just wanting to prove his idea. While running, he turned around and greeted James and others who were still stunned in place, "Quick, quick Keep up! Don't miss it!"
James and the others didn't know what Nicholas meant, but they still followed up looking at each other.
After experiencing the "Death Row", Hugo's acting has indeed entered a whole new world, which is a very interesting process. The most basic thing for an actor is entering and exiting a play. How to quickly enter the state of performance, and how to distinguish between reality and performance are the basic skills of any actor.
In the first stage, Hugo can easily enter and exit the play, leaving the best performance state to the camera, and even can drive the actors in the same performance into the state together; after entering the second stage, Hugo enters the play Going deeper and deeper, I began to ponder the details of controlling my performance, and truly entered the hall of methodological performance; in the third stage, Hugo tried to control the accuracy of the performance. At the moment of entering the soul, he used the most accurate performance to deliver the most real Reaction, this is Hugo's initial attempt to integrate method-based acting and performance-based acting.
The culmination of the third stage is "Death Row". In this movie, Hugo almost completely loses control. After entering the play, there is no way to play. The whole person is completely lost in the role and even lost himself. The whole performance also reached the height of the integration of soul and character.
From the perspective of performance, Hugo is undoubtedly a success. The affirmation of film critics and many awards illustrates this point; but from the perspective of an actor, Hugo failed because he can enter the show. But there is no way to play.
The British academy acting system has always advocated a theory. The so-called actor cannot perform only one role. In the career of an actor, he needs to play one hundred, one thousand, or even ten thousand different roles. This is an actor. His own job is also the basis of the actor's skills.
This theory should be interpreted in this way. An actor cannot play only one role in his life, otherwise he cannot be called an actor, but can only be called a "professional imitator of a certain role."
For example, the most famous Nicholas CageAway from Casino" This work allowed him to climb to the peak of his career. The actor Ben Sanderson he portrayed almost became a classic on the screen. But Nicholas's "facial paralysis acting" method is applied to almost every movie of his, it looks like Ben Sanderson appears in a different movie. This is undoubtedly a failure for the actor. Yes, this is why film critics criticized Nicholas a lot.
It’s a good thing that the actor is too introverted to extricate himself, because the actor injects the soul into the role, but if it has been so and never knows what to do, then the actor can’t be regarded as a really good actor, just for that particular role. Professional households only.
Therefore, an actor must not only be able to enter the play, but also be able to play and be able to control the role, rather than being controlled by the role.
In the later period of "Death Row", Hugo was able to gradually re-act and control the rhythm of the performance in his own hands. Now, after Hugo has opened a new world door, he has entered the so-called fourth stage, "seeing the mountain or the mountain, watching the water or the water", freely letting himself enter the role state anytime, anywhere, and re-acting anytime, anywhere Separate from life and return to reality.
Therefore, the performance just now can only be regarded as a small test. Hugo can deeply feel the excitement, and it feels good to return to the set.
As soon as Joseph turned his head, he saw Hugo standing at the door of the car. Hugo was wearing a policeman. Checking the uniform, the clothes were ironed neatly and fit, without even a trace of wrinkles; the hair was kept intact, and even the hair on the temples was well combed. The whole body looks perfect, as if there is no trace of flaws in his sight.Hugo is still the Hugo, and there are hardly too many differences. Although the gold glasses are not like Hugo's usual style, they are not conspicuous. I only feel that every detail of the overall shape is so "rainy." Fruit", but all the details are integrated but it is not Hugo. This may be after "before sunrise", Hugo's appearance in the movie is the closest to his own feeling, but the actual effect is just the opposite. The man in front of him is almost completely different from Hugo, so unfamiliar.At this time, a large group of people stood bustlingly at the door of the RV, the scene was so lively, there were many reporters among them. Hearing the sound of the car door opening, everyone turned their heads, and then they saw Hugo at the door.Nicholas McLean looked at Hugo in front of him, with a very strange feeling. He felt that Hugo now looks very small, very thin, especially in that uniform, it looks even more...weak and involuntary. Dumbfounding.At this moment, the corner of Hugo's mouth formed a polite smile, the shallow arc, the gentleman's etiquette, everything was so accurate, as if it were carefully arranged. But Nicholas saw in his eyes, there was a kind of indescribable rejection. He felt...that there was a hypocritical taste, and people couldn't help but want to frown, and turned around and wanted to spit out with his colleagues. However, this kind of hypocrisy is not too obvious, but there is a faintly unpleasant atmosphere, the rigid, stubborn, hypocritical and pedantic aura flutters like nothing.The first impression is probably this kind of feeling. Some people's first impression, even if they don't say anything, gives people a sense of intimacy; for some people, everything is perfect when they meet for the first time. The gentleman is polite and has a degree of advancement and retreat, but the sense of distance and hypocrisy is swayed. Don't go; some people just need to meet up, which is disgusting, maybe it's a word, maybe it's just a look, maybe it's just a look.Of course, the first impression is deceptive, which is a fact, but in many cases, the first impression will often determine the attitude and content of subsequent contacts and acquaintances. It is not so easy to reverse the first impression.The first impression of Hugo is mostly gentle, sunny, and gentleman. This also causes many people to underestimate Hugo-especially the uncrowned kings, so they have repeatedly eaten in Hugo's hands. But today, Hugo is just one stop ahead, that kind of "first impression" is very bad, not only repulsive, but even an indescribable sense of disgust.This is actually very unreasonable, because Hugo is standing at the door of the RV, without speaking or moving. The initial impression shouldn't be such a huge deviation.If someone pays close attention at this time, they will find that more than half of the people standing around the RV are frowning slightly. The other half of those who did not observe that carefully or who were more nervous were still noisy, and even started to move around because of the appearance of Hugo.Joseph naturally observed Hugo's changes, and he knew nothing more about Hugo's state. He knew that Hugo had already substituted himself into the role, but after experiencing the "death prisoner's walk"-- There are too few performance tests in "Independence Day"-this is the first time Hugo has truly devoted himself to a role, and Joseph is still a little worried.Therefore, Joseph looked at Hugo nervously, curious about his next move.But then, Hugo lowered his head, tidyed up the shirt he didn't need to tidy up, and coughed slightly. When he raised his head again, the smile on the corner of his mouth was slightly outlined, looked at Joseph, and asked. , "Joe, I shouldn't be late yet, am I?"Hugo is back.Joseph could clearly feel that this was the Hugo he was familiar with, which made Joseph breathe a sigh of relief, "No, there are two minutes left."Hugo raised his eyebrows and said in a panic, "Oh, oh, I'm going to be late." Then he walked down quickly and looked around, but didn't know what he was looking at, Joseph followed closely. , "On your left." Joseph knew that Hugo was looking for the shooting location of the first scene.Hugo suddenly realized, and then walked over quickly, Joseph followed closely behind. At the same time, a large number of people came to their senses and followed Hugo closely. Various voices came over, "Hugo, what did you do in the RV", "You were working with the crew just now." Is there any friction among personnel?", "How are you feeling now"...Nicholas did not follow, but froze in place, thinking carefully, "Did I get dazzled just now?" Because he only felt that Hugo had become different, but in the blink of an eye Hugo had recovered. As it is, it seems that the "first impression" just now is just his illusion.However, Nicholas looked around and found that seven or eight people had stayed where they were. Everyone's expressions were full of doubts. Even James Rattle still looked like a ghost. Nicholas knew it was not his own illusion."Acting skills!" This thought suddenly crashed into Nicholas' mind, and everything was explained in an instant. The Hugo who just came out of the RV was obviously not the real Hugo, but in the "L.A. Secret". character of. Hugo was in the RV just now, just trying to figure out the role.Although Nicholas has heard many professionals lament Hugo's outstanding acting skills, not just "Death Row", including his previous works, Hugo's aura and talent displayed in his film works have repeatedly made people amazed; But until today, Nicholas really felt this: because he saw this process with his own eyes!More often, they just see the finished movie and see the actor injecting soul into a character in the movie, but as audiences, it is difficult for them to see the effort put into the performance by the actor. But just now, he saw the subtle but deep soul changes. To be precise, he couldn't even see the specific performance changes and traces, but Hugo's whole person felt completely different. This is simply It's amazing. Nicholas had no idea that Hugo's control of performances was so delicate and precise.Nicholas just wanted to scream with excitement! After realizing what he had just witnessed, Nicholas rushed forward excitedly, just wanting to prove his idea. While running, he turned around and greeted James and others who were still stunned in place, "Quick, quick Keep up! Don't miss it!"James and the others didn't know what Nicholas meant, but they still followed up looking at each other.After experiencing the "Death Row", Hugo's acting has indeed entered a whole new world, which is a very interesting process. The most basic thing for an actor is entering and exiting a play. How to quickly enter the state of performance, and how to distinguish between reality and performance are the basic skills of any actor.In the first stage, Hugo can easily enter and exit the play, leaving the best performance state to the camera, and even can drive the actors in the same performance into the state together; after entering the second stage, Hugo enters the play Going deeper and deeper, I began to ponder the details of controlling my performance, and truly entered the hall of methodological performance; in the third stage, Hugo tried to control the accuracy of the performance. At the moment of entering the soul, he used the most accurate performance to deliver the most real Reaction, this is Hugo's initial attempt to integrate method-based acting and performance-based acting.The culmination of the third stage is "Death Row". In this movie, Hugo almost completely loses control. After entering the play, there is no way to play. The whole person is completely lost in the role and even lost himself. The whole performance also reached the height of the integration of soul and character.From the perspective of performance, Hugo is undoubtedly a success. The affirmation of film critics and many awards illustrates this point; but from the perspective of an actor, Hugo failed because he can enter the show. But there is no way to play.The British academy acting system has always advocated a theory. The so-called actor cannot perform only one role. In the career of an actor, he needs to play one hundred, one thousand, or even ten thousand different roles. This is an actor. His own job is also the basis of the actor's skills.This theory should be interpreted in this way. An actor cannot play only one role in his life, otherwise he cannot be called an actor, but can only be called a "professional imitator of a certain role."For example, the most famous Nicholas CageAway from Casino" This work allowed him to climb to the peak of his career. The actor Ben Sanderson he portrayed almost became a classic on the screen. But Nicholas's "facial paralysis acting" method is applied to almost every movie of his, it looks like Ben Sanderson appears in a different movie. This is undoubtedly a failure for the actor. Yes, this is why film critics criticized Nicholas a lot.It's a good thing that the actor is too introverted to extricate himself, because the actor injects the soul into the role, but if it has been so and never knows what to do, then the actor can't be regarded as a really good actor, just for that particular role. Professional households only.Therefore, an actor must not only be able to enter the play, but also be able to play and be able to control the role, rather than being controlled by the role.In the later period of "Death Row", Hugo was able to gradually re-act and control the rhythm of the performance in his own hands. Now, after Hugo has opened a new world door, he has entered the so-called fourth stage, "seeing the mountain or the mountain, watching the water or the water", freely letting himself enter the role state anytime, anywhere, and re-acting anytime, anywhere Separate from life and return to reality.Therefore, the performance just now can only be regarded as a small test. Hugo can deeply feel the excitement, and it feels good to return to the set.
