Chapter 132
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After a while, Zhou zhe ran back from the showcase and sat down on his seat. Then he picked up his steak and continued to fight. Just taking this opportunity, he asked vaguely, "Lin Zi, who is Zhao Mengfu? Is he very famous? I remember that Tang Bohu was the best painter in ancient times. Why haven't you heard of Zhao Mengfu? Well, both of them are painters. The gap has long been so big. "
After hearing Zhou Zhe's words, Lin Xi stares at him. But it's not his fault. After all, his major is not history department, so it's impossible for him to understand these unorthodox historical figures. Even if he understands them, he will only understand those historical celebrities who often appear in people's vision, and one-sided understanding of history from novels People.
For example, Tang Bohu is a romantic talent in the novel, and his story about Qiu Xiang is even more popular. Even the films adapted from it have become classics. But in fact, Tang Bohu in history is just a poor scholar who can't even afford to eat.
Although Zhao Mengfu is not as well-known as Tang Bohu, he is indeed a great master of his generation. He is no worse than Tang Bohu, on the contrary, he is better than Tang Bohu.
Zhao Mengfu (f ǔ) (from October 20, 1254 to July 30, 1322), Zi'ang, Han nationality, is a Taoist of Songxue, also known as Taoist of Crystal Palace and Ou Bo. He once served as Meng Fu in his middle age.
He is a famous calligrapher, painter and poet from the end of Southern Song Dynasty to the beginning of Yuan Dynasty. He is also the 11th grandson of Zhao Kuangyin, the Taizu of Song Dynasty, and the legitimate descendant of Zhao Defang, the king of Qin Dynasty.
In the 23rd year of the Yuan Dynasty (1286), Zhao Mengfu was recommended by Cheng Jufu, the imperial censor of Taiwan. He was respected by Kublai Khan, the emperor of the Yuan Dynasty. He successively held the posts of Ji Xian Zhi bachelor, Ji'nan Lu Guan Fu Shi, Jiang Zhe and other places of Confucianism promotion, and Hanlin Shi Du bachelor. Tired official Hanlin bachelor Chengzhi, Ronglu doctor. In his later years, he gradually retired, and later begged to return with illness.
In 1322, Zhao Mengfu passed away in 1969. He was awarded the title of "Wenmin" by Zhongshu of Jiangsu and Zhejiang Province, Pingzhang Zhengshi, and Duke of Wei. His works include songxuezhai anthology, etc.
Zhao Mengfu was a versatile young man. He was good at poetry, writing, economy, calligraphy, fine painting, and was good at gold and stone. Especially in calligraphy and painting.
In painting, he created a new style of Yuan Dynasty painting, known as "the crown of Yuan people"; in calligraphy, he is also good at seal, Li, Zhen, Xing, cursive script, especially kaishu and Xingshu. His calligraphy style is elegant, elegant, well-organized and skillful. He created "zhaoti" calligraphy, which is called "four masters of kaishu" together with Ouyang Xun, Yan Zhenqing and Liu Gongquan.
As for Zhao Mengfu's paintings, Wang Shizhen, a man of Ming Dynasty, once said, "literati paintings start from Dongpo and open their doors to Songxue." This sentence basically objectively states Zhao Mengfu's position in the history of Chinese painting. Therefore, Zhao Mengfu is a key figure in the study of Chinese painting history and literati painting history.
If the interest of painting in Tang and Song Dynasties lies in the creation of literary environment, then Zhao Mengfu undoubtedly played a bridge role in it.
If it is said that the literati "painting movement" before the Yuan Dynasty was mainly manifested in the preparation of public opinion, then the literati "painting movement" after the Yuan Dynasty gradually replaced the regular painting with its successful practice and became the mainstream of the painting world. Zhao Mengfu was the giant who caused this change.
By criticizing "modern times" and advocating "ancient meaning", Zhao Mengfu established the aesthetic standard of painting art thinking in Yuan Dynasty. This standard is not only reflected in painting, but also widely permeated in poetry, calligraphy, seal cutting and other fields.
It is worth mentioning that there is also an interesting anecdote about Zhao Mengfu, which is known as "aid for mention": it is said that when the Yuan Dynasty was prosperous, there was a man surnamed Zhao in Yangzhou who was rich and liked to entertain guests. His family has the moon building, people write Spring Festival couplets for the building, most of them can not meet the master's idea. One day, Zhao Mengfu passed by Yangzhou. When his master knew about it, he was welcomed to the moon tower and entertained him with a feast made of silver. After half a wine tour, the host took out a pen and paper and asked Zhao Mengfu to write Spring Festival couplets for him. Zhao Mengfu picked up his pen and wrote: "the spring breeze, three thousand guests in langyuan, the moon, the first floor of Yangzhou." After the owner got the Spring Festival couplets, he was very happy. He took down all the wine sets and gave them to Zhao Mengfu.
From all these, we can see that Zhao Mengfu's paintings are precious. But it is precisely because of the precious paintings of Zhao Mengfu that people have to laugh at the painting after hearing it, because all of you here are discerning people. How can this painting be genuine.
You know, the so-called "three generations of men and horses" is Zhao Mengfu, his son Zhao Yong, and his grandson Zhao Lin each made a pair of "men and horses", so it is collectively referred to as "three generations of men and horses". At this time, the words on the display platform were also said by Zhou to be Zhao Mengfu's handed down work.
However, as we all know, the painting of the third generation has been handed down to the United States for a long time and is still collected by the Metropolitan Museum. How could it possibly appear at this auction?
Did you steal this painting from the Metropolitan Museum?
Don't make fun of this international joke.
So at the moment when the painting appeared, people were sure that it was a fake, or a high imitation, not even an old punch, so they came back to work without looking at it a few times in the past. What's more, some people laughed at Mr. Zhou and the auction for not being authentic, and ruined their reputation signboard."Mr. Zhou, I don't want to look at this painting. You'd better go straight to the next one. No matter how much we look at it, it's empty. Everyone knows that it's collected in the Metropolitan Museum. You take this to fool people. We are all here today for your reputation signboard, but you can see for yourself what you have brought out... Hehe, ivory, blue and white porcelain, and this fake painting of man and horse. You are becoming more and more unkind... Worrying. Don't call me old man next time. I might as well have a cup of tea when I have this time Listen to the music
It was the old mouse spirit sitting next to the sunglasses woman who said this. His broken Gong voice was worse than scratching the glass with a knife. His continuous exclamations made the painting of the horse and man worthless, and even made it unnecessary for the auction.
But then again, three consecutive auctions are not high-quality products. There is no need for such private auctions. However, in his words, he highly affirmed the previous private auctions. It seems that there have been many good items here before.
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After a while, Zhou zhe ran back from the showcase and sat down on his seat. Then he picked up his steak and continued to fight. Just taking this opportunity, he asked vaguely, "Lin Zi, who is Zhao Mengfu? Is he very famous? I remember that Tang Bohu was the best painter in ancient times. Why haven't you heard of Zhao Mengfu? Well, both of them are painters. The gap has long been so big. "
After hearing Zhou Zhe's words, Lin Xi stares at him. But it's not his fault. After all, his major is not history department, so it's impossible for him to understand these unorthodox historical figures. Even if he understands them, he will only understand those historical celebrities who often appear in people's vision, and one-sided understanding of history from novels People.
For example, Tang Bohu is a romantic talent in the novel, and his story about Qiu Xiang is even more popular. Even the films adapted from it have become classics. But in fact, Tang Bohu in history is just a poor scholar who can't even afford to eat.
Although Zhao Mengfu is not as well-known as Tang Bohu, he is indeed a great master of his generation. He is no worse than Tang Bohu, on the contrary, he is better than Tang Bohu.
Zhao Mengfu (f ǔ) (from October 20, 1254 to July 30, 1322), Zi'ang, Han nationality, is a Taoist of Songxue, also known as Taoist of Crystal Palace and Ou Bo. He once served as Meng Fu in his middle age.
He is a famous calligrapher, painter and poet from the end of Southern Song Dynasty to the beginning of Yuan Dynasty. He is also the 11th grandson of Zhao Kuangyin, the Taizu of Song Dynasty, and the legitimate descendant of Zhao Defang, the king of Qin Dynasty.
In the 23rd year of the Yuan Dynasty (1286), Zhao Mengfu was recommended by Cheng Jufu, the imperial censor of Taiwan. He was respected by Kublai Khan, the emperor of the Yuan Dynasty. He successively held the posts of Ji Xian Zhi bachelor, Ji'nan Lu Guan Fu Shi, Jiang Zhe and other places of Confucianism promotion, and Hanlin Shi Du bachelor. Tired official Hanlin bachelor Chengzhi, Ronglu doctor. In his later years, he gradually retired, and later begged to return with illness.
In 1322, Zhao Mengfu passed away in 1969. He was awarded the title of "Wenmin" by Zhongshu of Jiangsu and Zhejiang Province, Pingzhang Zhengshi, and Duke of Wei. His works include songxuezhai anthology, etc.
Zhao Mengfu was a versatile young man. He was good at poetry, writing, economy, calligraphy, fine painting, and was good at gold and stone. Especially in calligraphy and painting.
In painting, he created a new style of Yuan Dynasty painting, known as "the crown of Yuan people"; in calligraphy, he is also good at seal, Li, Zhen, Xing, cursive script, especially kaishu and Xingshu. His calligraphy style is elegant, elegant, well-organized and skillful. He created "zhaoti" calligraphy, which is called "four masters of kaishu" together with Ouyang Xun, Yan Zhenqing and Liu Gongquan.
As for Zhao Mengfu's paintings, Wang Shizhen, a man of Ming Dynasty, once said, "literati paintings start from Dongpo and open their doors to Songxue." This sentence basically objectively states Zhao Mengfu's position in the history of Chinese painting. Therefore, Zhao Mengfu is a key figure in the study of Chinese painting history and literati painting history.
If the interest of painting in Tang and Song Dynasties lies in the creation of literary environment, then Zhao Mengfu undoubtedly played a bridge role in it.
If it is said that the literati "painting movement" before the Yuan Dynasty was mainly manifested in the preparation of public opinion, then the literati "painting movement" after the Yuan Dynasty gradually replaced the regular painting with its successful practice and became the mainstream of the painting world. Zhao Mengfu was the giant who caused this change.
By criticizing "modern times" and advocating "ancient meaning", Zhao Mengfu established the aesthetic standard of painting art thinking in Yuan Dynasty. This standard is not only reflected in painting, but also widely permeated in poetry, calligraphy, seal cutting and other fields.
It is worth mentioning that there is also an interesting anecdote about Zhao Mengfu, which is known as "aid for mention": it is said that when the Yuan Dynasty was prosperous, there was a man surnamed Zhao in Yangzhou who was rich and liked to entertain guests. His family has the moon building, people write Spring Festival couplets for the building, most of them can not meet the master's idea. One day, Zhao Mengfu passed by Yangzhou. When his master knew about it, he was welcomed to the moon tower and entertained him with a feast made of silver. After half a wine tour, the host took out a pen and paper and asked Zhao Mengfu to write Spring Festival couplets for him. Zhao Mengfu picked up his pen and wrote: "the spring breeze, three thousand guests in langyuan, the moon, the first floor of Yangzhou." After the owner got the Spring Festival couplets, he was very happy. He took down all the wine sets and gave them to Zhao Mengfu.
From all these, we can see that Zhao Mengfu's paintings are precious. But it is precisely because of the precious paintings of Zhao Mengfu that people have to laugh at the painting after hearing it, because all of you here are discerning people. How can this painting be genuine.
You know, the so-called "three generations of men and horses" is Zhao Mengfu, his son Zhao Yong, and his grandson Zhao Lin each made a pair of "men and horses", so it is collectively referred to as "three generations of men and horses". At this time, the words on the display platform were also said by Zhou to be Zhao Mengfu's handed down work.
However, as we all know, the painting of the third generation has been handed down to the United States for a long time and is still collected by the Metropolitan Museum. How could it possibly appear at this auction?
Did you steal this painting from the Metropolitan Museum?
Don't make fun of this international joke.
So at the moment when the painting appeared, people were sure that it was a fake, or a high imitation, not even an old punch, so they came back to work without looking at it a few times in the past. What's more, some people laughed at Mr. Zhou and the auction for not being authentic, and ruined their reputation signboard."Mr. Zhou, I don't want to look at this painting. You'd better go straight to the next one. No matter how much we look at it, it's empty. Everyone knows that it's collected in the Metropolitan Museum. You take this to fool people. We are all here today for your reputation signboard, but you can see for yourself what you have brought out... Hehe, ivory, blue and white porcelain, and this fake painting of man and horse. You are becoming more and more unkind... Worrying. Don't call me old man next time. I might as well have a cup of tea when I have this time Listen to the music
It was the old mouse spirit sitting next to the sunglasses woman who said this. His broken Gong voice was worse than scratching the glass with a knife. His continuous exclamations made the painting of the horse and man worthless, and even made it unnecessary for the auction.
But then again, three consecutive auctions are not high-quality products. There is no need for such private auctions. However, in his words, he highly affirmed the previous private auctions. It seems that there have been many good items here before.
www.novelhold.com , the fastest update of the webnovel!
After a while, Zhou zhe ran back from the showcase and sat down on his seat. Then he picked up his steak and continued to fight. Just taking this opportunity, he asked vaguely, "Lin Zi, who is Zhao Mengfu? Is he very famous? I remember that Tang Bohu was the best painter in ancient times. Why haven't you heard of Zhao Mengfu? Well, both of them are painters. The gap has long been so big. " After hearing Zhou Zhe's words, Lin Xi stares at him. But it's not his fault. After all, his major is not history department, so it's impossible for him to understand these unorthodox historical figures. Even if he understands them, he will only understand those historical celebrities who often appear in people's vision, and one-sided understanding of history from novels People. For example, Tang Bohu is a romantic talent in the novel, and his story about Qiu Xiang is even more popular. Even the films adapted from it have become classics. But in fact, Tang Bohu in history is just a poor scholar who can't even afford to eat. Although Zhao Mengfu is not as well-known as Tang Bohu, he is indeed a great master of his generation. He is no worse than Tang Bohu, on the contrary, he is better than Tang Bohu. Zhao Mengfu f from October 20, 1254 to July 30, 1322, Zi'ang, Han nationality, is a Taoist of Songxue, also known as Taoist of Crystal Palace and Ou Bo. He once served as Meng Fu in his middle age. He is a famous calligrapher, painter and poet from the end of Southern Song Dynasty to the beginning of Yuan Dynasty. He is also the 11th grandson of Zhao Kuangyin, the Taizu of Song Dynasty, and the legitimate descendant of Zhao Defang, the king of Qin Dynasty. In the 23rd year of the Yuan Dynasty 1286, Zhao Mengfu was recommended by Cheng Jufu, the imperial censor of Taiwan. He was respected by Kublai Khan, the emperor of the Yuan Dynasty. He successively held the posts of Ji Xian Zhi bachelor, Ji'nan Lu Guan Fu Shi, Jiang Zhe and other places of Confucianism promotion, and Hanlin Shi Du bachelor. Tired official Hanlin bachelor Chengzhi, Ronglu doctor. In his later years, he gradually retired, and later begged to return with illness. In 1322, Zhao Mengfu passed away in 1969. He was awarded the title of "Wenmin" by Zhongshu of Jiangsu and Zhejiang Province, Pingzhang Zhengshi, and Duke of Wei. His works include songxuezhai anthology, etc. Zhao Mengfu was a versatile young man. He was good at poetry, writing, economy, calligraphy, fine painting, and was good at gold and stone. Especially in calligraphy and painting. In painting, he created a new style of Yuan Dynasty painting, known as "the crown of Yuan people"; in calligraphy, he is also good at seal, Li, Zhen, Xing, cursive script, especially kaishu and Xingshu. His calligraphy style is elegant, elegant, well-organized and skillful. He created "zhaoti" calligraphy, which is called "four masters of kaishu" together with Ouyang Xun, Yan Zhenqing and Liu Gongquan. As for Zhao Mengfu's paintings, Wang Shizhen, a man of Ming Dynasty, once said, "literati paintings start from Dongpo and open their doors to Songxue." This sentence basically objectively states Zhao Mengfu's position in the history of Chinese painting. Therefore, Zhao Mengfu is a key figure in the study of Chinese painting history and literati painting history. If the interest of painting in Tang and Song Dynasties lies in the creation of literary environment, then Zhao Mengfu undoubtedly played a bridge role in it. If it is said that the literati "painting movement" before the Yuan Dynasty was mainly manifested in the preparation of public opinion, then the literati "painting movement" after the Yuan Dynasty gradually replaced the regular painting with its successful practice and became the mainstream of the painting world. Zhao Mengfu was the giant who caused this change. By criticizing "modern times" and advocating "ancient meaning", Zhao Mengfu established the aesthetic standard of painting art thinking in Yuan Dynasty. This standard is not only reflected in painting, but also widely permeated in poetry, calligraphy, seal cutting and other fields. It is worth mentioning that there is also an interesting anecdote about Zhao Mengfu, which is known as "aid for mention": it is said that when the Yuan Dynasty was prosperous, there was a man surnamed Zhao in Yangzhou who was rich and liked to entertain guests. His family has the moon building, people write Spring Festival couplets for the building, most of them can not meet the master's idea. One day, Zhao Mengfu passed by Yangzhou. When his master knew about it, he was welcomed to the moon tower and entertained him with a feast made of silver. After half a wine tour, the host took out a pen and paper and asked Zhao Mengfu to write Spring Festival couplets for him. Zhao Mengfu picked up his pen and wrote: "the spring breeze, three thousand guests in langyuan, the moon, the first floor of Yangzhou." After the owner got the Spring Festival couplets, he was very happy. He took down all the wine sets and gave them to Zhao Mengfu. From all these, we can see that Zhao Mengfu's paintings are precious. But it is precisely because of the precious paintings of Zhao Mengfu that people have to laugh at the painting after hearing it, because all of you here are discerning people. How can this painting be genuine. You know, the so-called "three generations of men and horses" is Zhao Mengfu, his son Zhao Yong, and his grandson Zhao Lin each made a pair of "men and horses", so it is collectively referred to as "three generations of men and horses". At this time, the words on the display platform were also said by Zhou to be Zhao Mengfu's handed down work. However, as we all know, the painting of the third generation has been handed down to the United States for a long time and is still collected by the Metropolitan Museum. How could it possibly appear at this auction? Did you steal this painting from the Metropolitan Museum? Don't make fun of this international joke. So at the moment when the painting appeared, people were sure that it was a fake, or a high imitation, not even an old punch, so they came back to work without looking at it a few times in the past. What's more, some people laughed at Mr. Zhou and the auction for not being authentic, and ruined their reputation signboard."Mr. Zhou, I don't want to look at this painting. You'd better go straight to the next one. No matter how much we look at it, it's empty. Everyone knows that it's collected in the Metropolitan Museum. You take this to fool people. We are all here today for your reputation signboard, but you can see for yourself what you have brought out... Hehe, ivory, blue and white porcelain, and this fake painting of man and horse. You are becoming more and more unkind... Worrying. Don't call me old man next time. I might as well have a cup of tea when I have this time Listen to the music It was the old mouse spirit sitting next to the sunglasses woman who said this. His broken Gong voice was worse than scratching the glass with a knife. His continuous exclamations made the painting of the horse and man worthless, and even made it unnecessary for the auction. But then again, three consecutive auctions are not high-quality products. There is no need for such private auctions. However, in his words, he highly affirmed the previous private auctions. It seems that there have been many good items here before. www.novelhold.com , the fastest update of the webnovel!
