Chapter 2196
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"Lin Xi, wait a minute..."
Hearing an Yutian's words, Lin Xi cast curious eyes.
An Yutian got up and said with a smile, "it's not polite to come but not to go. Brother Lin gave me a big gift. I should give one back. Please don't refuse, brother Lin. I feel poor..."
An Yutian came from a big family, and the number of rites was impeccable. Lin Xi didn't dare to neglect it, but gladly accepted: "I don't know what the return gift is..."
An Yutian went to the Bogu shelf on the left side of the desk, took down a painting axis, slowly unfolded it in front of Lin Xi, and said with a gentle smile: "a picture of thousands of miles of rivers and mountains is not a tribute. Please accept it with a smile..."
Lin Xi was stunned and surprised: "what? This is the picture of thousands of miles of rivers and mountains..."
As Lin Xi knows, the painting of thousands of miles of rivers and mountains is a silk colored painting created by Wang Ximeng of the Northern Song Dynasty. It is mainly taken from Lushan Mountain and Poyang Lake. The work is in the form of a long scroll, based on tradition, and the picture is detailed. The vast rivers and rolling mountains constitute a beautiful water map of Jiangnan mountain. The static scenery such as fishing villages, wild markets, waterside pavilions and pavilions, thatched cottages, Shuimo long bridge are interspersed with dynamic scenes such as fishing, sailing, playing and going to the market, The combination of dynamic and static is just right.
According to the comments of the favorites of the past dynasties, the depiction of the characters in this work is extremely fine and subtle, and the mood is lifelike. The flying bird can fly with a little pen.
The author Wang Ximeng is a well deserved genius. He was once a student of the painting academy, the palace painting education institution during the Zhenghe period of the Northern Song Dynasty. Later, he was called into the forbidden Chinese Library and the painting Bureau of the Hanlin Academy.
At that time, Zhao Ji, Emperor Huizong of the Song Dynasty, was a teacher of the Academy of painting and calligraphy. He had a unique insight and called him "a child can teach", so he taught him his skills personally. After Zhao Ji personally taught him the skills of pen and ink, his skills improved.
In April of the third year of the reign of emperor Hui Zongzheng, Wang Ximeng spent half a year to draw a picture of thousands of miles of rivers and mountains. He was 18 years old at that time. Unfortunately, soon after, he was jealous of talents and died young.
The creation background of this famous painting handed down from generation to generation is quite Abyss: at the end of the Northern Song Dynasty, the song and Jin Dynasties formed the trend of military confrontation, the royal family of the Northern Song Dynasty declined, the territory was lost, the people were unable to make a living, and a strong patriotic force was formed inside and outside the government and the public.
Among them, the patriotic forces with young students as the mainstream are rising rapidly, but in the face of the weak politics and military of the imperial court, they can only place their ideals of enriching the country and strengthening the army and recovering mountains and rivers in their artistic creation.
Since the separation of military power and political power by song Taizu's "cup of wine and release of military power", the Northern Song Dynasty has entered the cultural society, and the status of literati has been greatly improved. In addition, the education gradually developed since the Han Dynasty and the printing technology in the Song Dynasty have all affected the theme of literati artistic creation. Painting has changed from answering the relationship between "man and society" to answering the relationship between "man and nature".
As an emperor, song Huizong changed the social identity of court painters. As the leader of artistic creation, he had direct and clear requirements for painting. As a painter, song Huizong never allowed court painters to create freely. He had strict requirements for the form and interest of court painters. His aesthetic taste became the absolute standard to determine the artistic style. The artistic works created by court painters were in terms of themes and expression techniques, It must conform to its aesthetic taste and tendency, so it set up painting.
As a court painter, Wang Ximeng created the painting of thousands of miles of rivers and mountains, which won the blue eyes of Huizong of Song Dynasty. It can be seen that the value of this work is self-evident. If this is really the painting of thousands of miles of rivers and mountains, the value is self-evident, and even surpasses all Lin Xi's collections and occupies the leading position.
Out of personal preference, Lin Xi was in great spirits for a moment, swept away the depression and decadence just now, and looked up at the picture.
This picture of thousands of miles of rivers and mountains is made of a whole silk painting. At first, the top of the mountain goes straight into the sky, and then the hills are continuous, the mountains are steep, and the scenery changes step by step.
The uncanny workmanship of nature came into being in the author's works. In the past, the village of Jingshan mountain was built up, the peaks on the other side of the bank were painted, and the extension of the two wings gradually slowed down, which was far away from the rising mountains and played a delicate role of undertaking.
At the lower left of the peaks, a bridge crosses the river and connects with the next group of scenery.
After crossing Liangzhong mountain, you can see deep houses and hermits in white everywhere, walking and stopping, as if they were composing poetry and music.
Moving on, there is another bridge. Although the bridge has a small span, a pavilion is built on the bridge.
Further ahead, we will face the river.
The prospect of the river is vast, with undulating mountains, just like a fairyland.
After landing, the cliff mountain road twists and turns to the deep courtyard.
Mountain waterfalls, hanging splashing, refluxing the river.
The scenery from high to far-reaching is fascinating.
Where the mountains are flat, there is another magnificent river crossing bridge, which is spectacular. There are 32 pedals under the wooden structure beams and columns, and a palace like two-story Pavilion is built in the middle, just like a rainbow.
In this section, the peaks are uneven and the rhythm frequency is light. Then the peak potential revolves to the left, the flat slope extends, goes straight into Qiongdao in the river, stretches the momentum, and then draws near Jingshan mountain and Jiangzhu fishing village, which is connected with Qiongdao.
Connected with this, there are graceful peaks, villages in the mountains, simple bridges and bridges with pavilions, surrounded by full volume peaks, which seem to plunge into the sky and reach the climax.
The peaks on the left side of the peak, which contrast with the winding river in the deep painting, play a turning role and become the junction of the second paragraph.
Walking here means endless.
Stepping onto the bank from the river crossing bridge, buildings are arranged on both sides. After climbing over the mountains, through the valleys, and then up the mountains, you can see a plain with scattered village houses.
The cliff on the edge of the plain is quite dangerous, but the high mountain on the other side gives the village a great sense of security, but the village seems to be isolated and can't lead to the next place. Return to the original path and enjoy it.
The villages in the valley, the fishing boats on the beach and the carefree seclusion life attract the boatman to move on.
When the boat is in the water, it can be seen that the two mountains echo each other across the water. It seems that the Cowherd and Weaver Girl across the Milky way are inclined to each other, but they are difficult to touch.
The green flat land on the shore is full of vitality, and the fishing boats dotted on the shore seem to be shouting from the fisherman.
After trekking over mountains and mountains, you can stand under the peak. Although you have the feeling of climbing, you can't have the courage of climbing.
Then, the rhythm gradually calmed down to eliminate the tension.
In the painting, there is a small island, under which there are fishing villages and fishing boats, which make the opening trend turn down and play a role of undertaking.
The lower left part of the volume draws a close view of the slope bank, which is connected with it to play a transfer role; The left tail of the volume draws a protruding Xiufeng, whose potential extends upward across the river and distant mountains, holds the opening potential, and summarizes the whole volume.
Looking at the whole picture, the composition is meticulous, the color is gorgeous, and the pen is fine, natural and coherent.
The picture is magnificent and magnificent, with thousands of miles of rivers and mountains, vast and boundless, which really matches the name.
You can read the novel online free at novelhall. com
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"Lin Xi, wait a minute..."
Hearing an Yutian's words, Lin Xi cast curious eyes.
An Yutian got up and said with a smile, "it's not polite to come but not to go. Brother Lin gave me a big gift. I should give one back. Please don't refuse, brother Lin. I feel poor..."
An Yutian came from a big family, and the number of rites was impeccable. Lin Xi didn't dare to neglect it, but gladly accepted: "I don't know what the return gift is..."
An Yutian went to the Bogu shelf on the left side of the desk, took down a painting axis, slowly unfolded it in front of Lin Xi, and said with a gentle smile: "a picture of thousands of miles of rivers and mountains is not a tribute. Please accept it with a smile..."
Lin Xi was stunned and surprised: "what? This is the picture of thousands of miles of rivers and mountains..."
As Lin Xi knows, the painting of thousands of miles of rivers and mountains is a silk colored painting created by Wang Ximeng of the Northern Song Dynasty. It is mainly taken from Lushan Mountain and Poyang Lake. The work is in the form of a long scroll, based on tradition, and the picture is detailed. The vast rivers and rolling mountains constitute a beautiful water map of Jiangnan mountain. The static scenery such as fishing villages, wild markets, waterside pavilions and pavilions, thatched cottages, Shuimo long bridge are interspersed with dynamic scenes such as fishing, sailing, playing and going to the market, The combination of dynamic and static is just right.
According to the comments of the favorites of the past dynasties, the depiction of the characters in this work is extremely fine and subtle, and the mood is lifelike. The flying bird can fly with a little pen.
The author Wang Ximeng is a well deserved genius. He was once a student of the painting academy, the palace painting education institution during the Zhenghe period of the Northern Song Dynasty. Later, he was called into the forbidden Chinese Library and the painting Bureau of the Hanlin Academy.
At that time, Zhao Ji, Emperor Huizong of the Song Dynasty, was a teacher of the Academy of painting and calligraphy. He had a unique insight and called him "a child can teach", so he taught him his skills personally. After Zhao Ji personally taught him the skills of pen and ink, his skills improved.
In April of the third year of the reign of emperor Hui Zongzheng, Wang Ximeng spent half a year to draw a picture of thousands of miles of rivers and mountains. He was 18 years old at that time. Unfortunately, soon after, he was jealous of talents and died young.
The creation background of this famous painting handed down from generation to generation is quite Abyss: at the end of the Northern Song Dynasty, the song and Jin Dynasties formed the trend of military confrontation, the royal family of the Northern Song Dynasty declined, the territory was lost, the people were unable to make a living, and a strong patriotic force was formed inside and outside the government and the public.
Among them, the patriotic forces with young students as the mainstream are rising rapidly, but in the face of the weak politics and military of the imperial court, they can only place their ideals of enriching the country and strengthening the army and recovering mountains and rivers in their artistic creation.
Since the separation of military power and political power by song Taizu's "cup of wine and release of military power", the Northern Song Dynasty has entered the cultural society, and the status of literati has been greatly improved. In addition, the education gradually developed since the Han Dynasty and the printing technology in the Song Dynasty have all affected the theme of literati artistic creation. Painting has changed from answering the relationship between "man and society" to answering the relationship between "man and nature".
As an emperor, song Huizong changed the social identity of court painters. As the leader of artistic creation, he had direct and clear requirements for painting. As a painter, song Huizong never allowed court painters to create freely. He had strict requirements for the form and interest of court painters. His aesthetic taste became the absolute standard to determine the artistic style. The artistic works created by court painters were in terms of themes and expression techniques, It must conform to its aesthetic taste and tendency, so it set up painting.
As a court painter, Wang Ximeng created the painting of thousands of miles of rivers and mountains, which won the blue eyes of Huizong of Song Dynasty. It can be seen that the value of this work is self-evident. If this is really the painting of thousands of miles of rivers and mountains, the value is self-evident, and even surpasses all Lin Xi's collections and occupies the leading position.
Out of personal preference, Lin Xi was in great spirits for a moment, swept away the depression and decadence just now, and looked up at the picture.
This picture of thousands of miles of rivers and mountains is made of a whole silk painting. At first, the top of the mountain goes straight into the sky, and then the hills are continuous, the mountains are steep, and the scenery changes step by step.
The uncanny workmanship of nature came into being in the author's works. In the past, the village of Jingshan mountain was built up, the peaks on the other side of the bank were painted, and the extension of the two wings gradually slowed down, which was far away from the rising mountains and played a delicate role of undertaking.
At the lower left of the peaks, a bridge crosses the river and connects with the next group of scenery.
After crossing Liangzhong mountain, you can see deep houses and hermits in white everywhere, walking and stopping, as if they were composing poetry and music.
Moving on, there is another bridge. Although the bridge has a small span, a pavilion is built on the bridge.
Further ahead, we will face the river.
The prospect of the river is vast, with undulating mountains, just like a fairyland.
After landing, the cliff mountain road twists and turns to the deep courtyard.
Mountain waterfalls, hanging splashing, refluxing the river.
The scenery from high to far-reaching is fascinating.
Where the mountains are flat, there is another magnificent river crossing bridge, which is spectacular. There are 32 pedals under the wooden structure beams and columns, and a palace like two-story Pavilion is built in the middle, just like a rainbow.
In this section, the peaks are uneven and the rhythm frequency is light. Then the peak potential revolves to the left, the flat slope extends, goes straight into Qiongdao in the river, stretches the momentum, and then draws near Jingshan mountain and Jiangzhu fishing village, which is connected with Qiongdao.
Connected with this, there are graceful peaks, villages in the mountains, simple bridges and bridges with pavilions, surrounded by full volume peaks, which seem to plunge into the sky and reach the climax.
The peaks on the left side of the peak, which contrast with the winding river in the deep painting, play a turning role and become the junction of the second paragraph.
Walking here means endless.
Stepping onto the bank from the river crossing bridge, buildings are arranged on both sides. After climbing over the mountains, through the valleys, and then up the mountains, you can see a plain with scattered village houses.
The cliff on the edge of the plain is quite dangerous, but the high mountain on the other side gives the village a great sense of security, but the village seems to be isolated and can't lead to the next place. Return to the original path and enjoy it.
The villages in the valley, the fishing boats on the beach and the carefree seclusion life attract the boatman to move on.
When the boat is in the water, it can be seen that the two mountains echo each other across the water. It seems that the Cowherd and Weaver Girl across the Milky way are inclined to each other, but they are difficult to touch.
The green flat land on the shore is full of vitality, and the fishing boats dotted on the shore seem to be shouting from the fisherman.
After trekking over mountains and mountains, you can stand under the peak. Although you have the feeling of climbing, you can't have the courage of climbing.
Then, the rhythm gradually calmed down to eliminate the tension.
In the painting, there is a small island, under which there are fishing villages and fishing boats, which make the opening trend turn down and play a role of undertaking.
The lower left part of the volume draws a close view of the slope bank, which is connected with it to play a transfer role; The left tail of the volume draws a protruding Xiufeng, whose potential extends upward across the river and distant mountains, holds the opening potential, and summarizes the whole volume.
Looking at the whole picture, the composition is meticulous, the color is gorgeous, and the pen is fine, natural and coherent.
The picture is magnificent and magnificent, with thousands of miles of rivers and mountains, vast and boundless, which really matches the name.
You can read the novel online free at novelhall. com
"Lin Xi, wait a minute..."Hearing an Yutian's words, Lin Xi cast curious eyes.An Yutian got up and said with a smile, "it's not polite to come but not to go. Brother Lin gave me a big gift. I should give one back. Please don't refuse, brother Lin. I feel poor..."An Yutian came from a big family, and the number of rites was impeccable. Lin Xi didn't dare to neglect it, but gladly accepted: "I don't know what the return gift is..."An Yutian went to the Bogu shelf on the left side of the desk, took down a painting axis, slowly unfolded it in front of Lin Xi, and said with a gentle smile: "a picture of thousands of miles of rivers and mountains is not a tribute. Please accept it with a smile..."Lin Xi was stunned and surprised: "what? This is the picture of thousands of miles of rivers and mountains..."As Lin Xi knows, the painting of thousands of miles of rivers and mountains is a silk colored painting created by Wang Ximeng of the Northern Song Dynasty. It is mainly taken from Lushan Mountain and Poyang Lake. The work is in the form of a long scroll, based on tradition, and the picture is detailed. The vast rivers and rolling mountains constitute a beautiful water map of Jiangnan mountain. The static scenery such as fishing villages, wild markets, waterside pavilions and pavilions, thatched cottages, Shuimo long bridge are interspersed with dynamic scenes such as fishing, sailing, playing and going to the market, The combination of dynamic and static is just right.According to the comments of the favorites of the past dynasties, the depiction of the characters in this work is extremely fine and subtle, and the mood is lifelike. The flying bird can fly with a little pen.The author Wang Ximeng is a well deserved genius. He was once a student of the painting academy, the palace painting education institution during the Zhenghe period of the Northern Song Dynasty. Later, he was called into the forbidden Chinese Library and the painting Bureau of the Hanlin Academy.At that time, Zhao Ji, Emperor Huizong of the Song Dynasty, was a teacher of the Academy of painting and calligraphy. He had a unique insight and called him "a child can teach", so he taught him his skills personally. After Zhao Ji personally taught him the skills of pen and ink, his skills improved.In April of the third year of the reign of emperor Hui Zongzheng, Wang Ximeng spent half a year to draw a picture of thousands of miles of rivers and mountains. He was 18 years old at that time. Unfortunately, soon after, he was jealous of talents and died young.The creation background of this famous painting handed down from generation to generation is quite Abyss: at the end of the Northern Song Dynasty, the song and Jin Dynasties formed the trend of military confrontation, the royal family of the Northern Song Dynasty declined, the territory was lost, the people were unable to make a living, and a strong patriotic force was formed inside and outside the government and the public.Among them, the patriotic forces with young students as the mainstream are rising rapidly, but in the face of the weak politics and military of the imperial court, they can only place their ideals of enriching the country and strengthening the army and recovering mountains and rivers in their artistic creation.Since the separation of military power and political power by song Taizu's "cup of wine and release of military power", the Northern Song Dynasty has entered the cultural society, and the status of literati has been greatly improved. In addition, the education gradually developed since the Han Dynasty and the printing technology in the Song Dynasty have all affected the theme of literati artistic creation. Painting has changed from answering the relationship between "man and society" to answering the relationship between "man and nature".As an emperor, song Huizong changed the social identity of court painters. As the leader of artistic creation, he had direct and clear requirements for painting. As a painter, song Huizong never allowed court painters to create freely. He had strict requirements for the form and interest of court painters. His aesthetic taste became the absolute standard to determine the artistic style. The artistic works created by court painters were in terms of themes and expression techniques, It must conform to its aesthetic taste and tendency, so it set up painting.As a court painter, Wang Ximeng created the painting of thousands of miles of rivers and mountains, which won the blue eyes of Huizong of Song Dynasty. It can be seen that the value of this work is self-evident. If this is really the painting of thousands of miles of rivers and mountains, the value is self-evident, and even surpasses all Lin Xi's collections and occupies the leading position.Out of personal preference, Lin Xi was in great spirits for a moment, swept away the depression and decadence just now, and looked up at the picture.This picture of thousands of miles of rivers and mountains is made of a whole silk painting. At first, the top of the mountain goes straight into the sky, and then the hills are continuous, the mountains are steep, and the scenery changes step by step.The uncanny workmanship of nature came into being in the author's works. In the past, the village of Jingshan mountain was built up, the peaks on the other side of the bank were painted, and the extension of the two wings gradually slowed down, which was far away from the rising mountains and played a delicate role of undertaking.At the lower left of the peaks, a bridge crosses the river and connects with the next group of scenery.After crossing Liangzhong mountain, you can see deep houses and hermits in white everywhere, walking and stopping, as if they were composing poetry and music.Moving on, there is another bridge. Although the bridge has a small span, a pavilion is built on the bridge.Further ahead, we will face the river.The prospect of the river is vast, with undulating mountains, just like a fairyland.After landing, the cliff mountain road twists and turns to the deep courtyard.Mountain waterfalls, hanging splashing, refluxing the river.The scenery from high to far-reaching is fascinating.Where the mountains are flat, there is another magnificent river crossing bridge, which is spectacular. There are 32 pedals under the wooden structure beams and columns, and a palace like two-story Pavilion is built in the middle, just like a rainbow.In this section, the peaks are uneven and the rhythm frequency is light. Then the peak potential revolves to the left, the flat slope extends, goes straight into Qiongdao in the river, stretches the momentum, and then draws near Jingshan mountain and Jiangzhu fishing village, which is connected with Qiongdao.Connected with this, there are graceful peaks, villages in the mountains, simple bridges and bridges with pavilions, surrounded by full volume peaks, which seem to plunge into the sky and reach the climax.The peaks on the left side of the peak, which contrast with the winding river in the deep painting, play a turning role and become the junction of the second paragraph.Walking here means endless.Stepping onto the bank from the river crossing bridge, buildings are arranged on both sides. After climbing over the mountains, through the valleys, and then up the mountains, you can see a plain with scattered village houses.The cliff on the edge of the plain is quite dangerous, but the high mountain on the other side gives the village a great sense of security, but the village seems to be isolated and can't lead to the next place. Return to the original path and enjoy it.The villages in the valley, the fishing boats on the beach and the carefree seclusion life attract the boatman to move on.When the boat is in the water, it can be seen that the two mountains echo each other across the water. It seems that the Cowherd and Weaver Girl across the Milky way are inclined to each other, but they are difficult to touch.The green flat land on the shore is full of vitality, and the fishing boats dotted on the shore seem to be shouting from the fisherman.After trekking over mountains and mountains, you can stand under the peak. Although you have the feeling of climbing, you can't have the courage of climbing.Then, the rhythm gradually calmed down to eliminate the tension.In the painting, there is a small island, under which there are fishing villages and fishing boats, which make the opening trend turn down and play a role of undertaking.The lower left part of the volume draws a close view of the slope bank, which is connected with it to play a transfer role; The left tail of the volume draws a protruding Xiufeng, whose potential extends upward across the river and distant mountains, holds the opening potential, and summarizes the whole volume.Looking at the whole picture, the composition is meticulous, the color is gorgeous, and the pen is fine, natural and coherent.The picture is magnificent and magnificent, with thousands of miles of rivers and mountains, vast and boundless, which really matches the name.You can read the novel online free at novelhall. com
