Chapter 2299
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It's unexpected. Professor Meng entered the Bureau. It's also the life of our ancestors. More unexpected. Five families will cooperate with him. That is to say. Whether in the general's tomb. It's the last time I went to Bingdi yuan. Five seem detached. In fact, it has passed Professor Meng. Involved. Its layout is far-reaching. It's really grass gray snake thread. No trace. Hard to figure out. If Lingxi doesn't come to greet Yutian. May be buried in the valley forever.
Whether it's the master. Mr. deputy bureau. Five. Deng Xiaoyu. Or Professor Meng. There is no good Xiang Yu. It's all old Yin force. Only the little white rhinoceros. Pushed forward by them. Not so much the son of destiny. It's more like their chess pieces. Work hard for them. Or their chips in the game.
Lingxi is suddenly surrounded by countless mountains. A desolate feeling of loneliness and helplessness. Like a weak sapling. The enclosed was airtight and breathless. No matter which mountain falls a stone. Could crush him to death.
I don't know how long it took before the contact accepted his situation and digested the information said by an Yutian, but he also knew. An Yutian's message is just a family word. Not necessarily the whole truth. Or some truth. Even an Yutian doesn't know. From Grandpa. Mr. deputy bureau. Even from Deng Xiaoyu. To restore everything.
He is not worried about it. Anyway, he is the son of destiny. Although it is a chess piece used. But before opening the gate of heaven and entering the virtual world. No matter which force. All for him. Take advantage of this opportunity. Find out the truth bit by bit. Only by mastering the truth. He can resist. Take back the initiative.
Integrate the truth learned from an Yutian. Lingxi secretly summed up. There are three things that matter most right now.
First thing. We must get the sheepskin book back as soon as possible. Crack the secret of the two jade pendants.
The second thing. That is to go to the Heavenly Master's mansion in Longhu Mountain and spy on Mr. Fu Ju's real secret.
The third thing is what Deng Xiaoyu said. See you three months later.
These three things. It's urgent.
After making up your mind. Lingxi said goodbye. An Yutian knew that he was going and had made up his mind. He probably guessed his decision. No longer retain. But before leaving. He stopped Lin Xi again: "brother Lin, wait a minute."
Lingxi cast curious eyes.
An Yutian said, "it's impolite to come without going. I have a gift in return. Please don't refuse, brother Lin. Poor. “
I have to say that an Yutian comes from a big family. Etiquette is really impeccable. Lingxi didn't dare to neglect it and accepted it gladly. With some curiosity: "I don't know what kind of return gift it is. “
Today, go to the Bogu shelf on the left side of the desk. Remove a painting shaft. Slowly unfold in front of Lingxi. "A picture of thousands of miles of rivers and mountains," he said with a gentle smile. No respect, please accept brother Lin. "
I heard an Yutian's words. Lingxi was stunned and speechless. Surprised, he exclaimed, "what? It's a picture of thousands of miles of rivers and mountains."
As far as Lingxi knows. The painting of thousands of miles of rivers and mountains is a silk colored painting created by Wang Ximeng of the Northern Song Dynasty. The main locations are Lushan Mountain and Poyang Lake. The work is in the form of a long scroll, based on tradition, and the picture is detailed. The vast rivers and rolling mountains constitute a beautiful landscape map of the south of the Yangtze River. The static scenes such as fishing villages, wild markets, waterside pavilions, thatched cottages and Shuimo long bridge are interspersed with dynamic scenes such as fishing, sailing, playing and going to the market. The combination of dynamic and static is just right. In the depiction of the characters in this work, it is extremely fine and subtle, and the mood is lifelike. The bird can fly with a little pen.
Wang Ximeng was a court painter in the Northern Song Dynasty. During the reign of Zhenghe in the Northern Song Dynasty, he was a student of the Academy of painting. Later, he was called into the forbidden Chinese library. At the beginning, he didn't work very hard. Zhao Ji, Emperor Huizong of the Song Dynasty, was a teacher in the Academy of painting and drawing at that time. He had a unique insight: "children can teach", so he taught him the law himself. After Zhao Ji personally taught him the skills of pen and ink, his art was refined. In April of the third year of the reign of emperor Hui Zongzheng, Wang Ximeng spent half a year to draw the volume of the picture of thousands of miles of rivers and mountains. He was 18 years old at that time. Soon he died young.
And the background of creating this famous painting. It is also quite far-reaching: at the end of the Northern Song Dynasty, the song and Jin Dynasties formed a trend of military confrontation. The royal family of the Northern Song Dynasty declined, the territory was lost, and the people were in dire straits, forming a strong patriotic force both inside and outside the government and the public. Among them, the patriotic forces with young students as the mainstream are rising. However, in the face of the weak politics and military of the imperial court, they only place their ideal of enriching the country and strengthening the army to recover mountains and rivers in their artistic and cultural creation. Since the separation of general power and political power of song Taizu's "cup wine release military power", he has entered the cultural society and the status of literati is very high. In addition, the education gradually developed since the Han Dynasty and the printing technology in the Song Dynasty have affected the theme of literati artistic creation. Painting has changed from answering the question of "man and society" to answering the question of "man and nature".
As an emperor, Huizong changed the social identity of court painters; As the leader of artistic creation, he had direct and clear requirements for painting. As a painter, Huizong never allowed the court painters to create freely. He had strict requirements for the form and interest of the court painters. The aesthetic taste of Huizong has become the absolute standard to determine the artistic style. The artistic works created by court painters should conform to their aesthetic taste and tendency in terms of theme and performance techniques. Painting is a palace painting education institution established by Emperor Huizong of Song Dynasty in Chongning three years, which later belonged to the picture Bureau of Hanlin Academy. As a court painter, Wang Ximeng created the painting of thousands of miles of rivers and mountains.
If this is really a picture of thousands of miles of rivers and mountains. Its value is self-evident. It even covers all the collections of Lingxi. Take the lead.
Out of personal preference. Lingxi was in great spirits. Sweep away the depression and decadence just now. Beech looked up at the picture. The painting of thousands of miles of rivers and mountains is painted on a piece of silk. At first, the top of the mountain goes straight into the sky, and then the hills are continuous, the mountains are steep, and the scenery is changing step by step. The uncanny craftsmanship of nature came into being in the painter's works. In the past, the village of Jingshan mountain was rising, the peaks on the other side of the bank were beautiful, and the extension of the two wings was gradually slowing down, which was far away from the rising mountains and played a delicate role of undertaking. At the lower left of the peaks is a bridge across the river, which connects with the next group of scenery. After crossing Liangzhong mountain, you can see the deep residence and hermits in white everywhere. They walk and stop as if they were composing poetry and music. Moving on, there is another bridge. Although the bridge has a small span, a pavilion is built on the bridge. Move on and face the river. The distant view is vast and undulating, just like a fairyland. After landing, the cliff mountain road twists and turns to the deep courtyard. Mountain waterfalls, hanging splashing, refluxing the river. The scenery from high to far-reaching is fascinating. Where the mountains are flat is a magnificent river crossing bridge.
The river crossing bridge leading to the second section of the beautiful scenery is spectacular. There are 32 pedals under the wooden structure beams and columns, and a palace like two-story Pavilion is built in the middle, just like a rainbow, which is very spectacular. In this section, the peaks are uneven, the rhythm frequency is obviously strengthened, and then the peak potential rotates to the left, the flat slope extends, goes straight into Qiongdao in the river, stretches the momentum, and then draws near Jingshan mountain and Jiangzhu fishing village to connect Qiongdao. Connected with this are the graceful peaks. The villages in the mountain are surrounded by simple bridges and bridges with pavilions, which seem to plunge into the sky and reach the climax. The peaks on the left side of the peak, which contrast with the winding river in the deep painting, play a turning role and become the junction of the second paragraph. Walking here means endless. Stepping onto the bank from the river crossing bridge, buildings are arranged on both sides. After climbing over the mountains, through the valleys, and then up the mountains, you can see a plain with scattered village houses. The cliffs on the edge of the plain are quite dangerous, but the mountains on the other side give the village a great sense of security. However, this village seems isolated and cannot lead to the next place. Return to the original path and enjoy it. The villages in the valley, the fishing boats on the beach and the carefree seclusion life attract the boatman to move on. When the boat is in the water, it can be seen that the two mountains echo each other across the water. It seems that the Cowherd and Weaver Girl across the Milky way are inclined to each other, but they are difficult to touch. The green flat land on the shore is full of vitality, and the fishing boats dotted on the shore seem to be shouting from the fisherman. After trekking over mountains and mountains, I stood under the peak. Although there is a feeling of climbing, it is difficult to have the courage to climb.
The third paragraph turns to the first one. The twists and turns of the previous paragraph are tense, the rhythm is gentle, and the tension is eliminated in an instant. In the painting, there is a small island, under which there are fishing villages and fishing boats, which make the opening trend turn down and play a role of undertaking. The lower left part of the volume draws a close view of the slope bank, which is connected with it to play a transfer role. The left tail of the volume draws a protruding Xiufeng, whose potential extends upward across the river and distant mountains, holds the opening potential, and summarizes the whole volume.
Look at the whole. The composition is meticulous, the color is gorgeous, and the pen is fine, natural and coherent. The picture is magnificent and magnificent, with thousands of miles of rivers and mountains, vast and boundless, which is worthy of the name. In the painting, there are thousands of mountains and valleys, dotted with high and flat sizes, competing for excellence, overlapping and overlapping, all immersed in the river. There are high cliffs in the mountains, waterfalls straight down, winding paths leading to seclusion, and houses dotted with green willows, red flowers, long pines and bamboos. YedU fishing village, waterside pavilion terrace and Shuimo long bridge among the mountains and rivers reflect the mountains and lakes according to the terrain. Or see disorderly hills and overlapping islands; Or see the continuous Tingzhu and the towering peaks; Or the river is vast, the water and the sky are connected, and the long bridge is like a belt, with mountains and hills; Or remote setting of light mountains at the distance of low slopes; Or xiuyangu, with endless mapping. On the mountains, there are bamboo hedges, thatched cottages, manors and temples. The roads are connected, which are feasible, promising, tourable and habitable. There are countless figures like ants. On the magnificent performance of mountains and rivers, unprecedented. It's a wonderful pen.
But see the end. Lingxi was suddenly stunned. Because it's on this scroll. No response, promotion. But as far as he knows. At the end of the picture of thousands of miles of rivers and mountains. The promotion of Wang Ximeng by Cai Jing of the Northern Song Dynasty is right.
He realized in an instant. It's not authentic.
You can read the novel online free at novelhall. com
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It's unexpected. Professor Meng entered the Bureau. It's also the life of our ancestors. More unexpected. Five families will cooperate with him. That is to say. Whether in the general's tomb. It's the last time I went to Bingdi yuan. Five seem detached. In fact, it has passed Professor Meng. Involved. Its layout is far-reaching. It's really grass gray snake thread. No trace. Hard to figure out. If Lingxi doesn't come to greet Yutian. May be buried in the valley forever.
Whether it's the master. Mr. deputy bureau. Five. Deng Xiaoyu. Or Professor Meng. There is no good Xiang Yu. It's all old Yin force. Only the little white rhinoceros. Pushed forward by them. Not so much the son of destiny. It's more like their chess pieces. Work hard for them. Or their chips in the game.
Lingxi is suddenly surrounded by countless mountains. A desolate feeling of loneliness and helplessness. Like a weak sapling. The enclosed was airtight and breathless. No matter which mountain falls a stone. Could crush him to death.
I don't know how long it took before the contact accepted his situation and digested the information said by an Yutian, but he also knew. An Yutian's message is just a family word. Not necessarily the whole truth. Or some truth. Even an Yutian doesn't know. From Grandpa. Mr. deputy bureau. Even from Deng Xiaoyu. To restore everything.
He is not worried about it. Anyway, he is the son of destiny. Although it is a chess piece used. But before opening the gate of heaven and entering the virtual world. No matter which force. All for him. Take advantage of this opportunity. Find out the truth bit by bit. Only by mastering the truth. He can resist. Take back the initiative.
Integrate the truth learned from an Yutian. Lingxi secretly summed up. There are three things that matter most right now.
First thing. We must get the sheepskin book back as soon as possible. Crack the secret of the two jade pendants.
The second thing. That is to go to the Heavenly Master's mansion in Longhu Mountain and spy on Mr. Fu Ju's real secret.
The third thing is what Deng Xiaoyu said. See you three months later.
These three things. It's urgent.
After making up your mind. Lingxi said goodbye. An Yutian knew that he was going and had made up his mind. He probably guessed his decision. No longer retain. But before leaving. He stopped Lin Xi again: "brother Lin, wait a minute."
Lingxi cast curious eyes.
An Yutian said, "it's impolite to come without going. I have a gift in return. Please don't refuse, brother Lin. Poor. “
I have to say that an Yutian comes from a big family. Etiquette is really impeccable. Lingxi didn't dare to neglect it and accepted it gladly. With some curiosity: "I don't know what kind of return gift it is. “
Today, go to the Bogu shelf on the left side of the desk. Remove a painting shaft. Slowly unfold in front of Lingxi. "A picture of thousands of miles of rivers and mountains," he said with a gentle smile. No respect, please accept brother Lin. "
I heard an Yutian's words. Lingxi was stunned and speechless. Surprised, he exclaimed, "what? It's a picture of thousands of miles of rivers and mountains."
As far as Lingxi knows. The painting of thousands of miles of rivers and mountains is a silk colored painting created by Wang Ximeng of the Northern Song Dynasty. The main locations are Lushan Mountain and Poyang Lake. The work is in the form of a long scroll, based on tradition, and the picture is detailed. The vast rivers and rolling mountains constitute a beautiful landscape map of the south of the Yangtze River. The static scenes such as fishing villages, wild markets, waterside pavilions, thatched cottages and Shuimo long bridge are interspersed with dynamic scenes such as fishing, sailing, playing and going to the market. The combination of dynamic and static is just right. In the depiction of the characters in this work, it is extremely fine and subtle, and the mood is lifelike. The bird can fly with a little pen.
Wang Ximeng was a court painter in the Northern Song Dynasty. During the reign of Zhenghe in the Northern Song Dynasty, he was a student of the Academy of painting. Later, he was called into the forbidden Chinese library. At the beginning, he didn't work very hard. Zhao Ji, Emperor Huizong of the Song Dynasty, was a teacher in the Academy of painting and drawing at that time. He had a unique insight: "children can teach", so he taught him the law himself. After Zhao Ji personally taught him the skills of pen and ink, his art was refined. In April of the third year of the reign of emperor Hui Zongzheng, Wang Ximeng spent half a year to draw the volume of the picture of thousands of miles of rivers and mountains. He was 18 years old at that time. Soon he died young.
And the background of creating this famous painting. It is also quite far-reaching: at the end of the Northern Song Dynasty, the song and Jin Dynasties formed a trend of military confrontation. The royal family of the Northern Song Dynasty declined, the territory was lost, and the people were in dire straits, forming a strong patriotic force both inside and outside the government and the public. Among them, the patriotic forces with young students as the mainstream are rising. However, in the face of the weak politics and military of the imperial court, they only place their ideal of enriching the country and strengthening the army to recover mountains and rivers in their artistic and cultural creation. Since the separation of general power and political power of song Taizu's "cup wine release military power", he has entered the cultural society and the status of literati is very high. In addition, the education gradually developed since the Han Dynasty and the printing technology in the Song Dynasty have affected the theme of literati artistic creation. Painting has changed from answering the question of "man and society" to answering the question of "man and nature".
As an emperor, Huizong changed the social identity of court painters; As the leader of artistic creation, he had direct and clear requirements for painting. As a painter, Huizong never allowed the court painters to create freely. He had strict requirements for the form and interest of the court painters. The aesthetic taste of Huizong has become the absolute standard to determine the artistic style. The artistic works created by court painters should conform to their aesthetic taste and tendency in terms of theme and performance techniques. Painting is a palace painting education institution established by Emperor Huizong of Song Dynasty in Chongning three years, which later belonged to the picture Bureau of Hanlin Academy. As a court painter, Wang Ximeng created the painting of thousands of miles of rivers and mountains.
If this is really a picture of thousands of miles of rivers and mountains. Its value is self-evident. It even covers all the collections of Lingxi. Take the lead.
Out of personal preference. Lingxi was in great spirits. Sweep away the depression and decadence just now. Beech looked up at the picture. The painting of thousands of miles of rivers and mountains is painted on a piece of silk. At first, the top of the mountain goes straight into the sky, and then the hills are continuous, the mountains are steep, and the scenery is changing step by step. The uncanny craftsmanship of nature came into being in the painter's works. In the past, the village of Jingshan mountain was rising, the peaks on the other side of the bank were beautiful, and the extension of the two wings was gradually slowing down, which was far away from the rising mountains and played a delicate role of undertaking. At the lower left of the peaks is a bridge across the river, which connects with the next group of scenery. After crossing Liangzhong mountain, you can see the deep residence and hermits in white everywhere. They walk and stop as if they were composing poetry and music. Moving on, there is another bridge. Although the bridge has a small span, a pavilion is built on the bridge. Move on and face the river. The distant view is vast and undulating, just like a fairyland. After landing, the cliff mountain road twists and turns to the deep courtyard. Mountain waterfalls, hanging splashing, refluxing the river. The scenery from high to far-reaching is fascinating. Where the mountains are flat is a magnificent river crossing bridge.
The river crossing bridge leading to the second section of the beautiful scenery is spectacular. There are 32 pedals under the wooden structure beams and columns, and a palace like two-story Pavilion is built in the middle, just like a rainbow, which is very spectacular. In this section, the peaks are uneven, the rhythm frequency is obviously strengthened, and then the peak potential rotates to the left, the flat slope extends, goes straight into Qiongdao in the river, stretches the momentum, and then draws near Jingshan mountain and Jiangzhu fishing village to connect Qiongdao. Connected with this are the graceful peaks. The villages in the mountain are surrounded by simple bridges and bridges with pavilions, which seem to plunge into the sky and reach the climax. The peaks on the left side of the peak, which contrast with the winding river in the deep painting, play a turning role and become the junction of the second paragraph. Walking here means endless. Stepping onto the bank from the river crossing bridge, buildings are arranged on both sides. After climbing over the mountains, through the valleys, and then up the mountains, you can see a plain with scattered village houses. The cliffs on the edge of the plain are quite dangerous, but the mountains on the other side give the village a great sense of security. However, this village seems isolated and cannot lead to the next place. Return to the original path and enjoy it. The villages in the valley, the fishing boats on the beach and the carefree seclusion life attract the boatman to move on. When the boat is in the water, it can be seen that the two mountains echo each other across the water. It seems that the Cowherd and Weaver Girl across the Milky way are inclined to each other, but they are difficult to touch. The green flat land on the shore is full of vitality, and the fishing boats dotted on the shore seem to be shouting from the fisherman. After trekking over mountains and mountains, I stood under the peak. Although there is a feeling of climbing, it is difficult to have the courage to climb.
The third paragraph turns to the first one. The twists and turns of the previous paragraph are tense, the rhythm is gentle, and the tension is eliminated in an instant. In the painting, there is a small island, under which there are fishing villages and fishing boats, which make the opening trend turn down and play a role of undertaking. The lower left part of the volume draws a close view of the slope bank, which is connected with it to play a transfer role. The left tail of the volume draws a protruding Xiufeng, whose potential extends upward across the river and distant mountains, holds the opening potential, and summarizes the whole volume.
Look at the whole. The composition is meticulous, the color is gorgeous, and the pen is fine, natural and coherent. The picture is magnificent and magnificent, with thousands of miles of rivers and mountains, vast and boundless, which is worthy of the name. In the painting, there are thousands of mountains and valleys, dotted with high and flat sizes, competing for excellence, overlapping and overlapping, all immersed in the river. There are high cliffs in the mountains, waterfalls straight down, winding paths leading to seclusion, and houses dotted with green willows, red flowers, long pines and bamboos. YedU fishing village, waterside pavilion terrace and Shuimo long bridge among the mountains and rivers reflect the mountains and lakes according to the terrain. Or see disorderly hills and overlapping islands; Or see the continuous Tingzhu and the towering peaks; Or the river is vast, the water and the sky are connected, and the long bridge is like a belt, with mountains and hills; Or remote setting of light mountains at the distance of low slopes; Or xiuyangu, with endless mapping. On the mountains, there are bamboo hedges, thatched cottages, manors and temples. The roads are connected, which are feasible, promising, tourable and habitable. There are countless figures like ants. On the magnificent performance of mountains and rivers, unprecedented. It's a wonderful pen.
But see the end. Lingxi was suddenly stunned. Because it's on this scroll. No response, promotion. But as far as he knows. At the end of the picture of thousands of miles of rivers and mountains. The promotion of Wang Ximeng by Cai Jing of the Northern Song Dynasty is right.
He realized in an instant. It's not authentic.
You can read the novel online free at novelhall. com
It's unexpected. Professor Meng entered the Bureau. It's also the life of our ancestors. More unexpected. Five families will cooperate with him. That is to say. Whether in the general's tomb. It's the last time I went to Bingdi yuan. Five seem detached. In fact, it has passed Professor Meng. Involved. Its layout is far-reaching. It's really grass gray snake thread. No trace. Hard to figure out. If Lingxi doesn't come to greet Yutian. May be buried in the valley forever.Whether it's the master. Mr. deputy bureau. Five. Deng Xiaoyu. Or Professor Meng. There is no good Xiang Yu. It's all old Yin force. Only the little white rhinoceros. Pushed forward by them. Not so much the son of destiny. It's more like their chess pieces. Work hard for them. Or their chips in the game.Lingxi is suddenly surrounded by countless mountains. A desolate feeling of loneliness and helplessness. Like a weak sapling. The enclosed was airtight and breathless. No matter which mountain falls a stone. Could crush him to death.I don't know how long it took before the contact accepted his situation and digested the information said by an Yutian, but he also knew. An Yutian's message is just a family word. Not necessarily the whole truth. Or some truth. Even an Yutian doesn't know. From Grandpa. Mr. deputy bureau. Even from Deng Xiaoyu. To restore everything.He is not worried about it. Anyway, he is the son of destiny. Although it is a chess piece used. But before opening the gate of heaven and entering the virtual world. No matter which force. All for him. Take advantage of this opportunity. Find out the truth bit by bit. Only by mastering the truth. He can resist. Take back the initiative.Integrate the truth learned from an Yutian. Lingxi secretly summed up. There are three things that matter most right now.First thing. We must get the sheepskin book back as soon as possible. Crack the secret of the two jade pendants.The second thing. That is to go to the Heavenly Master's mansion in Longhu Mountain and spy on Mr. Fu Ju's real secret.The third thing is what Deng Xiaoyu said. See you three months later.These three things. It's urgent.After making up your mind. Lingxi said goodbye. An Yutian knew that he was going and had made up his mind. He probably guessed his decision. No longer retain. But before leaving. He stopped Lin Xi again: "brother Lin, wait a minute."Lingxi cast curious eyes.An Yutian said, "it's impolite to come without going. I have a gift in return. Please don't refuse, brother Lin. Poor. I have to say that an Yutian comes from a big family. Etiquette is really impeccable. Lingxi didn't dare to neglect it and accepted it gladly. With some curiosity: "I don't know what kind of return gift it is. Today, go to the Bogu shelf on the left side of the desk. Remove a painting shaft. Slowly unfold in front of Lingxi. "A picture of thousands of miles of rivers and mountains," he said with a gentle smile. No respect, please accept brother Lin. "I heard an Yutian's words. Lingxi was stunned and speechless. Surprised, he exclaimed, "what? It's a picture of thousands of miles of rivers and mountains."As far as Lingxi knows. The painting of thousands of miles of rivers and mountains is a silk colored painting created by Wang Ximeng of the Northern Song Dynasty. The main locations are Lushan Mountain and Poyang Lake. The work is in the form of a long scroll, based on tradition, and the picture is detailed. The vast rivers and rolling mountains constitute a beautiful landscape map of the south of the Yangtze River. The static scenes such as fishing villages, wild markets, waterside pavilions, thatched cottages and Shuimo long bridge are interspersed with dynamic scenes such as fishing, sailing, playing and going to the market. The combination of dynamic and static is just right. In the depiction of the characters in this work, it is extremely fine and subtle, and the mood is lifelike. The bird can fly with a little pen.Wang Ximeng was a court painter in the Northern Song Dynasty. During the reign of Zhenghe in the Northern Song Dynasty, he was a student of the Academy of painting. Later, he was called into the forbidden Chinese library. At the beginning, he didn't work very hard. Zhao Ji, Emperor Huizong of the Song Dynasty, was a teacher in the Academy of painting and drawing at that time. He had a unique insight: "children can teach", so he taught him the law himself. After Zhao Ji personally taught him the skills of pen and ink, his art was refined. In April of the third year of the reign of emperor Hui Zongzheng, Wang Ximeng spent half a year to draw the volume of the picture of thousands of miles of rivers and mountains. He was 18 years old at that time. Soon he died young.And the background of creating this famous painting. It is also quite far-reaching: at the end of the Northern Song Dynasty, the song and Jin Dynasties formed a trend of military confrontation. The royal family of the Northern Song Dynasty declined, the territory was lost, and the people were in dire straits, forming a strong patriotic force both inside and outside the government and the public. Among them, the patriotic forces with young students as the mainstream are rising. However, in the face of the weak politics and military of the imperial court, they only place their ideal of enriching the country and strengthening the army to recover mountains and rivers in their artistic and cultural creation. Since the separation of general power and political power of song Taizu's "cup wine release military power", he has entered the cultural society and the status of literati is very high. In addition, the education gradually developed since the Han Dynasty and the printing technology in the Song Dynasty have affected the theme of literati artistic creation. Painting has changed from answering the question of "man and society" to answering the question of "man and nature".As an emperor, Huizong changed the social identity of court painters; As the leader of artistic creation, he had direct and clear requirements for painting. As a painter, Huizong never allowed the court painters to create freely. He had strict requirements for the form and interest of the court painters. The aesthetic taste of Huizong has become the absolute standard to determine the artistic style. The artistic works created by court painters should conform to their aesthetic taste and tendency in terms of theme and performance techniques. Painting is a palace painting education institution established by Emperor Huizong of Song Dynasty in Chongning three years, which later belonged to the picture Bureau of Hanlin Academy. As a court painter, Wang Ximeng created the painting of thousands of miles of rivers and mountains.If this is really a picture of thousands of miles of rivers and mountains. Its value is self-evident. It even covers all the collections of Lingxi. Take the lead.Out of personal preference. Lingxi was in great spirits. Sweep away the depression and decadence just now. Beech looked up at the picture. The painting of thousands of miles of rivers and mountains is painted on a piece of silk. At first, the top of the mountain goes straight into the sky, and then the hills are continuous, the mountains are steep, and the scenery is changing step by step. The uncanny craftsmanship of nature came into being in the painter's works. In the past, the village of Jingshan mountain was rising, the peaks on the other side of the bank were beautiful, and the extension of the two wings was gradually slowing down, which was far away from the rising mountains and played a delicate role of undertaking. At the lower left of the peaks is a bridge across the river, which connects with the next group of scenery. After crossing Liangzhong mountain, you can see the deep residence and hermits in white everywhere. They walk and stop as if they were composing poetry and music. Moving on, there is another bridge. Although the bridge has a small span, a pavilion is built on the bridge. Move on and face the river. The distant view is vast and undulating, just like a fairyland. After landing, the cliff mountain road twists and turns to the deep courtyard. Mountain waterfalls, hanging splashing, refluxing the river. The scenery from high to far-reaching is fascinating. Where the mountains are flat is a magnificent river crossing bridge.The river crossing bridge leading to the second section of the beautiful scenery is spectacular. There are 32 pedals under the wooden structure beams and columns, and a palace like two-story Pavilion is built in the middle, just like a rainbow, which is very spectacular. In this section, the peaks are uneven, the rhythm frequency is obviously strengthened, and then the peak potential rotates to the left, the flat slope extends, goes straight into Qiongdao in the river, stretches the momentum, and then draws near Jingshan mountain and Jiangzhu fishing village to connect Qiongdao. Connected with this are the graceful peaks. The villages in the mountain are surrounded by simple bridges and bridges with pavilions, which seem to plunge into the sky and reach the climax. The peaks on the left side of the peak, which contrast with the winding river in the deep painting, play a turning role and become the junction of the second paragraph. Walking here means endless. Stepping onto the bank from the river crossing bridge, buildings are arranged on both sides. After climbing over the mountains, through the valleys, and then up the mountains, you can see a plain with scattered village houses. The cliffs on the edge of the plain are quite dangerous, but the mountains on the other side give the village a great sense of security. However, this village seems isolated and cannot lead to the next place. Return to the original path and enjoy it. The villages in the valley, the fishing boats on the beach and the carefree seclusion life attract the boatman to move on. When the boat is in the water, it can be seen that the two mountains echo each other across the water. It seems that the Cowherd and Weaver Girl across the Milky way are inclined to each other, but they are difficult to touch. The green flat land on the shore is full of vitality, and the fishing boats dotted on the shore seem to be shouting from the fisherman. After trekking over mountains and mountains, I stood under the peak. Although there is a feeling of climbing, it is difficult to have the courage to climb.The third paragraph turns to the first one. The twists and turns of the previous paragraph are tense, the rhythm is gentle, and the tension is eliminated in an instant. In the painting, there is a small island, under which there are fishing villages and fishing boats, which make the opening trend turn down and play a role of undertaking. The lower left part of the volume draws a close view of the slope bank, which is connected with it to play a transfer role. The left tail of the volume draws a protruding Xiufeng, whose potential extends upward across the river and distant mountains, holds the opening potential, and summarizes the whole volume.Look at the whole. The composition is meticulous, the color is gorgeous, and the pen is fine, natural and coherent. The picture is magnificent and magnificent, with thousands of miles of rivers and mountains, vast and boundless, which is worthy of the name. In the painting, there are thousands of mountains and valleys, dotted with high and flat sizes, competing for excellence, overlapping and overlapping, all immersed in the river. There are high cliffs in the mountains, waterfalls straight down, winding paths leading to seclusion, and houses dotted with green willows, red flowers, long pines and bamboos. YedU fishing village, waterside pavilion terrace and Shuimo long bridge among the mountains and rivers reflect the mountains and lakes according to the terrain. Or see disorderly hills and overlapping islands; Or see the continuous Tingzhu and the towering peaks; Or the river is vast, the water and the sky are connected, and the long bridge is like a belt, with mountains and hills; Or remote setting of light mountains at the distance of low slopes; Or xiuyangu, with endless mapping. On the mountains, there are bamboo hedges, thatched cottages, manors and temples. The roads are connected, which are feasible, promising, tourable and habitable. There are countless figures like ants. On the magnificent performance of mountains and rivers, unprecedented. It's a wonderful pen.But see the end. Lingxi was suddenly stunned. Because it's on this scroll. No response, promotion. But as far as he knows. At the end of the picture of thousands of miles of rivers and mountains. The promotion of Wang Ximeng by Cai Jing of the Northern Song Dynasty is right.He realized in an instant. It's not authentic.You can read the novel online free at novelhall. com
