Chapter 950
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In fact, Lin Xi didn't know that Bai en's ability to take out these objects was his greatest limit.
Although his grandfather got a lot of treasures from the French commander, he has lost a lot of them for various reasons. Now there are only thirty or forty left.
Among these 30 or 40 antiques, only 89 can be called orphans, and they are all given to the jewelry tycoon, which is what Lin Xi sees now.
As for the gambling, he really wanted to build up momentum, but he didn't expect that it was too much. Even the five families came, which made him feel difficult to ride a tiger.
He had originally planned to use four items casually, but now it doesn't seem to work. He had to go to the antique tycoon and say a lot of good things before he took the four pieces to block up.
In this way, he's going to fight against his back this time. If he loses tonight, he'll probably have no face to meet an antique tycoon.
Moreover, the four antiques he brought happened to be in response to the four in Lin Xi's hands. For example, the blue and white canisters in Sangu Maolu, which Lin Xi is now using, correspond to the blue and white canisters in Guigu Xiashan.
This blue and white pot is about 27 cm high, 34 cm in diameter, 21 cm in upper diameter, and 20 cm in base diameter. It has a short neck, a full shoulder, a round abdomen, a wide and shallow ring foot, flat chamfering on the sole, and a spiral pattern on the bottom.
There are also obvious marks of pad burning. The glaze is white, and the accumulated glaze is green. It should be drawn with imported Su Qing material. The hair color is gorgeous, and the agglomerating spot is obvious. The main decoration is "three look at the thatched cottage".
The seven characters in the picture are vivid and lifelike. Zhuge Liang is sitting in the hall. A bookboy is holding a book and waiting for one side. A boy reports to Zhuge Liang and Liu Bei outside the door asks to see him.
On the other side of the pot, Liu Bei waited respectfully outside the thatched cottage for Zhuge Liang to summon him. Zhang Fei and Guan Yu stood behind Liu Bei. Zhou Cang carried the green dragon moon knife and led the red rabbit horse.
On the whole, the scenery on the screen is beautiful and pleasant, with all kinds of natural landscapes, small bridges, flowing water and thatched cottages forming a quiet Nanyang scenery, which can be called a masterpiece.
Just now, Lin Xi also saw it with the heavenly eye power. There is no doubt that this big jar is genuine. The purple and golden light contained in it is not much less than that of Chenghua doucai chicken jar cup.
After seeing the blue and white jar, Lin Xi looks to the next object. They are two blue and white bamboo and Stone Vase with banana pattern in Yongle year of Ming Dynasty. They are also in pairs, which can be called the best of the best. They correspond to Lin Xi's cowpea red chrysanthemum petal vase.
As we all know, Meiping, also known as Jingping, is a kind of traditional famous porcelain. It first appeared in the Tang Dynasty. It was more popular in the song and Liao dynasties, and many new varieties appeared.
It is usually used as a wine container, rather than a vase that some people think. The most important feature of the vase is its elegant and beautiful shape. Because the mouth of the bottle is small, it can only insert plum branches, so it is called plum vase after Ming Dynasty.
The two plum bottles brought by Bai en are about 40 cm high, 5 cm in diameter and 12 cm in foot diameter. They have a distinctive Ming style. The bottle mouth is small, with a cap, a pearl shaped button on the cap, and the round shoulder gradually recedes under it.
In addition, lotus petal pattern is decorated on the cover button and the center of the cover surface, folded flowers are painted on the cover wall, and Ruyi cloud pattern is decorated on the shoulder, and folded flowers are interspersed in Ruyi cloud pattern.
Next to the theme decoration, bamboo and stone plantains are painted with slopes, flowers and plants, just like a small landscape in the garden. Lotus petals and rolling branches are painted on the feet for one week, and various folded flowers are painted inside the lotus petals.
On the whole, it can be called beautiful modeling, blue and white color is rich and varied, which makes the picture have a sense of hierarchy. It is a good product of Yongle blue and white porcelain. In terms of market value, it may still be on top of cowpea red chrysanthemum petal bottle.
As for the last ancient painting, after it was slowly unfolded by Lin Xi, it was not the content of the painting that first attracted his eyes, but the promotion and seal in the upper right corner of the scroll, which almost startled his chin.
Under the promotion, the seal of "Ti yuan master" in Yangwen is impressively printed. If Lin Xi remembers correctly, this seal is even bigger than "Danzhao Riyue".
Because "Danzhao sun and moon" has been awarded to sun Jiacheng by Emperor Yongzheng, and this "master of Ti yuan" is the personal seal of Emperor Kangxi. On behalf of Emperor Kangxi himself, he has never given a reward to his ministers, which shows how important it is.
You should know that what you use and what is no longer your own are two concepts.
It can be seen from the seal that the painting was indeed handed down from the court.
Seeing this, Lin Xi can't help but smile bitterly. Bai en has worked very hard for this gamble, and even for the sake of making the gamble equal. The four items he brought and their inheritance are much better than Lin Xi's, and even more than Lin Xi's.
That is to say, he has already reported his confidence in winning this gamble, so he dares to make such a big fuss.
But Lin Xi shakes his head again quickly. It's useless to have confidence in the gambling game. The key is to see whether the winner is the winner.
Thinking of this, Lin Xi continued to look at the painting, which is called the painting of Yu Yu Chun Shu. The painting depicts the scene of the distant mountains and the nearby scholars talking to each other. The mountains, rocks and trees are slightly tender with the pen, which has the interest of retro and decoration.In the middle of the picture, there is a broad stream, which cuts the picture into two sections. In the upper section, there are mountains in the distance. The peaks stand up, and the peaks on both sides of the main peak are small and faintly visible.
In the middle of the mountain, the top is flat and the cliff is steep. There are many trees on the mountain and the hillside. At the foot of the mountain, near the river, there are several houses and cottages, which are hidden in the shade of trees. On the beach, there are two Gaoshi chatting and enjoying the scenery.
On the other hand, Jiaan, the lower part of the painting, is also the theme of the painting. The slope of Jiaan is piled up and rugged. Some slope Tuos extend to the water, and there are several tall pine trees and other miscellaneous trees on the slope Tuo.
The ancient pines are scattered and scattered, and they are connected with the platform on the slope. A small pavilion is built near the stream, and there is a high scholar's staff for you to visit. The poems and paintings of the hermit scholars are leisurely and leisurely.
In addition, there is a promotion in the upper right corner of the scroll: "Yu Yu's spring trees are green and overcast, and I love the West Mountain most. When I go to the late Ming Dynasty, I should have someone at the foot of the mountain and see Bai Yansheng in the distance across the stream. I wrote this picture for Laishi, who wrote a poem several days later. When Laishi will go north and read it in the boat, I will have no memory of scales and Lingyan."
In the end, this painting was signed by Wen Zhengming, who is as famous as Tang Bohu. If we measure this painting from now on, it will definitely be a valuable treasure.
Who is Wen Zhengming?
In the history of Chinese painting, he is as famous as Shen Zhou, Tang Bohu and Qiu Ying as the "four schools of Ming Dynasty", also known as the "four talents of Wuzhong" in poetry and prose, as well as Zhu Yunming, Tang Bohu and Xu Zhenqing.
He is also known as a four talented person, and his calligraphy and painting attainments are still above Tang Bohu. This painting of spring trees after rain is the best of his early paintings.
Lin Xi had heard from Shu that this painting was collected in the Palace Museum in Taipei, so he had a deep memory. But when he saw it, he suddenly reacted to it.
It's not to say whether the painting really exists in the Palace Museum in Taipei. I'm afraid it's also a fake one, because he has seen it with the heavenly eye power. It's absolutely true, which proves that the painting in Taipei is a fake.
There is also a novel allusion about Wen Zhengming: it is said that Zhu Chenhao, king of Ning, wanted to hire him as an aide because he admired Wen Zhengming's virtue, but he refused to take care of his illness. King Ning was suspicious of believing him, so he asked someone to go to test him. If he was really ill, he would take good care of himself. If he was deliberately taking care of his illness, he would calculate the total after autumn.
But how to test, but has become a big trouble, can't meet directly asked? Even if asked, people will certainly not say ah!
So King Ning came up with an idea. He heard that Wen Zhengming was a versatile calligrapher, and his calligraphy attainments were extraordinary. He asked him to write ten thousand character essays, each of which had to be exactly the same.
This is obviously a deliberate embarrassment. How can you be exactly the same?
However, King Ning knew that Wen Zhengming had a unique skill. He could fold ten pieces of paper and write calligraphy on them. His brush power could penetrate all the paper and the bottom of the desk. Each piece of writing was clear, just like the new one, which could be called penetrating.
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In fact, Lin Xi didn't know that Bai en's ability to take out these objects was his greatest limit.
Although his grandfather got a lot of treasures from the French commander, he has lost a lot of them for various reasons. Now there are only thirty or forty left.
Among these 30 or 40 antiques, only 89 can be called orphans, and they are all given to the jewelry tycoon, which is what Lin Xi sees now.
As for the gambling, he really wanted to build up momentum, but he didn't expect that it was too much. Even the five families came, which made him feel difficult to ride a tiger.
He had originally planned to use four items casually, but now it doesn't seem to work. He had to go to the antique tycoon and say a lot of good things before he took the four pieces to block up.
In this way, he's going to fight against his back this time. If he loses tonight, he'll probably have no face to meet an antique tycoon.
Moreover, the four antiques he brought happened to be in response to the four in Lin Xi's hands. For example, the blue and white canisters in Sangu Maolu, which Lin Xi is now using, correspond to the blue and white canisters in Guigu Xiashan.
This blue and white pot is about 27 cm high, 34 cm in diameter, 21 cm in upper diameter, and 20 cm in base diameter. It has a short neck, a full shoulder, a round abdomen, a wide and shallow ring foot, flat chamfering on the sole, and a spiral pattern on the bottom.
There are also obvious marks of pad burning. The glaze is white, and the accumulated glaze is green. It should be drawn with imported Su Qing material. The hair color is gorgeous, and the agglomerating spot is obvious. The main decoration is "three look at the thatched cottage".
The seven characters in the picture are vivid and lifelike. Zhuge Liang is sitting in the hall. A bookboy is holding a book and waiting for one side. A boy reports to Zhuge Liang and Liu Bei outside the door asks to see him.
On the other side of the pot, Liu Bei waited respectfully outside the thatched cottage for Zhuge Liang to summon him. Zhang Fei and Guan Yu stood behind Liu Bei. Zhou Cang carried the green dragon moon knife and led the red rabbit horse.
On the whole, the scenery on the screen is beautiful and pleasant, with all kinds of natural landscapes, small bridges, flowing water and thatched cottages forming a quiet Nanyang scenery, which can be called a masterpiece.
Just now, Lin Xi also saw it with the heavenly eye power. There is no doubt that this big jar is genuine. The purple and golden light contained in it is not much less than that of Chenghua doucai chicken jar cup.
After seeing the blue and white jar, Lin Xi looks to the next object. They are two blue and white bamboo and Stone Vase with banana pattern in Yongle year of Ming Dynasty. They are also in pairs, which can be called the best of the best. They correspond to Lin Xi's cowpea red chrysanthemum petal vase.
As we all know, Meiping, also known as Jingping, is a kind of traditional famous porcelain. It first appeared in the Tang Dynasty. It was more popular in the song and Liao dynasties, and many new varieties appeared.
It is usually used as a wine container, rather than a vase that some people think. The most important feature of the vase is its elegant and beautiful shape. Because the mouth of the bottle is small, it can only insert plum branches, so it is called plum vase after Ming Dynasty.
The two plum bottles brought by Bai en are about 40 cm high, 5 cm in diameter and 12 cm in foot diameter. They have a distinctive Ming style. The bottle mouth is small, with a cap, a pearl shaped button on the cap, and the round shoulder gradually recedes under it.
In addition, lotus petal pattern is decorated on the cover button and the center of the cover surface, folded flowers are painted on the cover wall, and Ruyi cloud pattern is decorated on the shoulder, and folded flowers are interspersed in Ruyi cloud pattern.
Next to the theme decoration, bamboo and stone plantains are painted with slopes, flowers and plants, just like a small landscape in the garden. Lotus petals and rolling branches are painted on the feet for one week, and various folded flowers are painted inside the lotus petals.
On the whole, it can be called beautiful modeling, blue and white color is rich and varied, which makes the picture have a sense of hierarchy. It is a good product of Yongle blue and white porcelain. In terms of market value, it may still be on top of cowpea red chrysanthemum petal bottle.
As for the last ancient painting, after it was slowly unfolded by Lin Xi, it was not the content of the painting that first attracted his eyes, but the promotion and seal in the upper right corner of the scroll, which almost startled his chin.
Under the promotion, the seal of "Ti yuan master" in Yangwen is impressively printed. If Lin Xi remembers correctly, this seal is even bigger than "Danzhao Riyue".
Because "Danzhao sun and moon" has been awarded to sun Jiacheng by Emperor Yongzheng, and this "master of Ti yuan" is the personal seal of Emperor Kangxi. On behalf of Emperor Kangxi himself, he has never given a reward to his ministers, which shows how important it is.
You should know that what you use and what is no longer your own are two concepts.
It can be seen from the seal that the painting was indeed handed down from the court.
Seeing this, Lin Xi can't help but smile bitterly. Bai en has worked very hard for this gamble, and even for the sake of making the gamble equal. The four items he brought and their inheritance are much better than Lin Xi's, and even more than Lin Xi's.
That is to say, he has already reported his confidence in winning this gamble, so he dares to make such a big fuss.
But Lin Xi shakes his head again quickly. It's useless to have confidence in the gambling game. The key is to see whether the winner is the winner.
Thinking of this, Lin Xi continued to look at the painting, which is called the painting of Yu Yu Chun Shu. The painting depicts the scene of the distant mountains and the nearby scholars talking to each other. The mountains, rocks and trees are slightly tender with the pen, which has the interest of retro and decoration.In the middle of the picture, there is a broad stream, which cuts the picture into two sections. In the upper section, there are mountains in the distance. The peaks stand up, and the peaks on both sides of the main peak are small and faintly visible.
In the middle of the mountain, the top is flat and the cliff is steep. There are many trees on the mountain and the hillside. At the foot of the mountain, near the river, there are several houses and cottages, which are hidden in the shade of trees. On the beach, there are two Gaoshi chatting and enjoying the scenery.
On the other hand, Jiaan, the lower part of the painting, is also the theme of the painting. The slope of Jiaan is piled up and rugged. Some slope Tuos extend to the water, and there are several tall pine trees and other miscellaneous trees on the slope Tuo.
The ancient pines are scattered and scattered, and they are connected with the platform on the slope. A small pavilion is built near the stream, and there is a high scholar's staff for you to visit. The poems and paintings of the hermit scholars are leisurely and leisurely.
In addition, there is a promotion in the upper right corner of the scroll: "Yu Yu's spring trees are green and overcast, and I love the West Mountain most. When I go to the late Ming Dynasty, I should have someone at the foot of the mountain and see Bai Yansheng in the distance across the stream. I wrote this picture for Laishi, who wrote a poem several days later. When Laishi will go north and read it in the boat, I will have no memory of scales and Lingyan."
In the end, this painting was signed by Wen Zhengming, who is as famous as Tang Bohu. If we measure this painting from now on, it will definitely be a valuable treasure.
Who is Wen Zhengming?
In the history of Chinese painting, he is as famous as Shen Zhou, Tang Bohu and Qiu Ying as the "four schools of Ming Dynasty", also known as the "four talents of Wuzhong" in poetry and prose, as well as Zhu Yunming, Tang Bohu and Xu Zhenqing.
He is also known as a four talented person, and his calligraphy and painting attainments are still above Tang Bohu. This painting of spring trees after rain is the best of his early paintings.
Lin Xi had heard from Shu that this painting was collected in the Palace Museum in Taipei, so he had a deep memory. But when he saw it, he suddenly reacted to it.
It's not to say whether the painting really exists in the Palace Museum in Taipei. I'm afraid it's also a fake one, because he has seen it with the heavenly eye power. It's absolutely true, which proves that the painting in Taipei is a fake.
There is also a novel allusion about Wen Zhengming: it is said that Zhu Chenhao, king of Ning, wanted to hire him as an aide because he admired Wen Zhengming's virtue, but he refused to take care of his illness. King Ning was suspicious of believing him, so he asked someone to go to test him. If he was really ill, he would take good care of himself. If he was deliberately taking care of his illness, he would calculate the total after autumn.
But how to test, but has become a big trouble, can't meet directly asked? Even if asked, people will certainly not say ah!
So King Ning came up with an idea. He heard that Wen Zhengming was a versatile calligrapher, and his calligraphy attainments were extraordinary. He asked him to write ten thousand character essays, each of which had to be exactly the same.
This is obviously a deliberate embarrassment. How can you be exactly the same?
However, King Ning knew that Wen Zhengming had a unique skill. He could fold ten pieces of paper and write calligraphy on them. His brush power could penetrate all the paper and the bottom of the desk. Each piece of writing was clear, just like the new one, which could be called penetrating.
www.novelhold.com , the fastest update of the webnovel!
In fact, Lin Xi didn't know that Bai en's ability to take out these objects was his greatest limit. Although his grandfather got a lot of treasures from the French commander, he has lost a lot of them for various reasons. Now there are only thirty or forty left. Among these 30 or 40 antiques, only 89 can be called orphans, and they are all given to the jewelry tycoon, which is what Lin Xi sees now. As for the gambling, he really wanted to build up momentum, but he didn't expect that it was too much. Even the five families came, which made him feel difficult to ride a tiger. He had originally planned to use four items casually, but now it doesn't seem to work. He had to go to the antique tycoon and say a lot of good things before he took the four pieces to block up. In this way, he's going to fight against his back this time. If he loses tonight, he'll probably have no face to meet an antique tycoon. Moreover, the four antiques he brought happened to be in response to the four in Lin Xi's hands. For example, the blue and white canisters in Sangu Maolu, which Lin Xi is now using, correspond to the blue and white canisters in Guigu Xiashan. This blue and white pot is about 27 cm high, 34 cm in diameter, 21 cm in upper diameter, and 20 cm in base diameter. It has a short neck, a full shoulder, a round abdomen, a wide and shallow ring foot, flat chamfering on the sole, and a spiral pattern on the bottom. There are also obvious marks of pad burning. The glaze is white, and the accumulated glaze is green. It should be drawn with imported Su Qing material. The hair color is gorgeous, and the agglomerating spot is obvious. The main decoration is "three look at the thatched cottage". The seven characters in the picture are vivid and lifelike. Zhuge Liang is sitting in the hall. A bookboy is holding a book and waiting for one side. A boy reports to Zhuge Liang and Liu Bei outside the door asks to see him. On the other side of the pot, Liu Bei waited respectfully outside the thatched cottage for Zhuge Liang to summon him. Zhang Fei and Guan Yu stood behind Liu Bei. Zhou Cang carried the green dragon moon knife and led the red rabbit horse. On the whole, the scenery on the screen is beautiful and pleasant, with all kinds of natural landscapes, small bridges, flowing water and thatched cottages forming a quiet Nanyang scenery, which can be called a masterpiece. Just now, Lin Xi also saw it with the heavenly eye power. There is no doubt that this big jar is genuine. The purple and golden light contained in it is not much less than that of Chenghua doucai chicken jar cup. After seeing the blue and white jar, Lin Xi looks to the next object. They are two blue and white bamboo and Stone Vase with banana pattern in Yongle year of Ming Dynasty. They are also in pairs, which can be called the best of the best. They correspond to Lin Xi's cowpea red chrysanthemum petal vase. As we all know, Meiping, also known as Jingping, is a kind of traditional famous porcelain. It first appeared in the Tang Dynasty. It was more popular in the song and Liao dynasties, and many new varieties appeared. It is usually used as a wine container, rather than a vase that some people think. The most important feature of the vase is its elegant and beautiful shape. Because the mouth of the bottle is small, it can only insert plum branches, so it is called plum vase after Ming Dynasty. The two plum bottles brought by Bai en are about 40 cm high, 5 cm in diameter and 12 cm in foot diameter. They have a distinctive Ming style. The bottle mouth is small, with a cap, a pearl shaped button on the cap, and the round shoulder gradually recedes under it. In addition, lotus petal pattern is decorated on the cover button and the center of the cover surface, folded flowers are painted on the cover wall, and Ruyi cloud pattern is decorated on the shoulder, and folded flowers are interspersed in Ruyi cloud pattern. Next to the theme decoration, bamboo and stone plantains are painted with slopes, flowers and plants, just like a small landscape in the garden. Lotus petals and rolling branches are painted on the feet for one week, and various folded flowers are painted inside the lotus petals. On the whole, it can be called beautiful modeling, blue and white color is rich and varied, which makes the picture have a sense of hierarchy. It is a good product of Yongle blue and white porcelain. In terms of market value, it may still be on top of cowpea red chrysanthemum petal bottle. As for the last ancient painting, after it was slowly unfolded by Lin Xi, it was not the content of the painting that first attracted his eyes, but the promotion and seal in the upper right corner of the scroll, which almost startled his chin. Under the promotion, the seal of "Ti yuan master" in Yangwen is impressively printed. If Lin Xi remembers correctly, this seal is even bigger than "Danzhao Riyue". Because "Danzhao sun and moon" has been awarded to sun Jiacheng by Emperor Yongzheng, and this "master of Ti yuan" is the personal seal of Emperor Kangxi. On behalf of Emperor Kangxi himself, he has never given a reward to his ministers, which shows how important it is. You should know that what you use and what is no longer your own are two concepts. It can be seen from the seal that the painting was indeed handed down from the court. Seeing this, Lin Xi can't help but smile bitterly. Bai en has worked very hard for this gamble, and even for the sake of making the gamble equal. The four items he brought and their inheritance are much better than Lin Xi's, and even more than Lin Xi's. That is to say, he has already reported his confidence in winning this gamble, so he dares to make such a big fuss. But Lin Xi shakes his head again quickly. It's useless to have confidence in the gambling game. The key is to see whether the winner is the winner. Thinking of this, Lin Xi continued to look at the painting, which is called the painting of Yu Yu Chun Shu. The painting depicts the scene of the distant mountains and the nearby scholars talking to each other. The mountains, rocks and trees are slightly tender with the pen, which has the interest of retro and decoration.In the middle of the picture, there is a broad stream, which cuts the picture into two sections. In the upper section, there are mountains in the distance. The peaks stand up, and the peaks on both sides of the main peak are small and faintly visible. In the middle of the mountain, the top is flat and the cliff is steep. There are many trees on the mountain and the hillside. At the foot of the mountain, near the river, there are several houses and cottages, which are hidden in the shade of trees. On the beach, there are two Gaoshi chatting and enjoying the scenery. On the other hand, Jiaan, the lower part of the painting, is also the theme of the painting. The slope of Jiaan is piled up and rugged. Some slope Tuos extend to the water, and there are several tall pine trees and other miscellaneous trees on the slope Tuo. The ancient pines are scattered and scattered, and they are connected with the platform on the slope. A small pavilion is built near the stream, and there is a high scholar's staff for you to visit. The poems and paintings of the hermit scholars are leisurely and leisurely. In addition, there is a promotion in the upper right corner of the scroll: "Yu Yu's spring trees are green and overcast, and I love the West Mountain most. When I go to the late Ming Dynasty, I should have someone at the foot of the mountain and see Bai Yansheng in the distance across the stream. I wrote this picture for Laishi, who wrote a poem several days later. When Laishi will go north and read it in the boat, I will have no memory of scales and Lingyan." In the end, this painting was signed by Wen Zhengming, who is as famous as Tang Bohu. If we measure this painting from now on, it will definitely be a valuable treasure. Who is Wen Zhengming? In the history of Chinese painting, he is as famous as Shen Zhou, Tang Bohu and Qiu Ying as the "four schools of Ming Dynasty", also known as the "four talents of Wuzhong" in poetry and prose, as well as Zhu Yunming, Tang Bohu and Xu Zhenqing. He is also known as a four talented person, and his calligraphy and painting attainments are still above Tang Bohu. This painting of spring trees after rain is the best of his early paintings. Lin Xi had heard from Shu that this painting was collected in the Palace Museum in Taipei, so he had a deep memory. But when he saw it, he suddenly reacted to it. It's not to say whether the painting really exists in the Palace Museum in Taipei. I'm afraid it's also a fake one, because he has seen it with the heavenly eye power. It's absolutely true, which proves that the painting in Taipei is a fake. There is also a novel allusion about Wen Zhengming: it is said that Zhu Chenhao, king of Ning, wanted to hire him as an aide because he admired Wen Zhengming's virtue, but he refused to take care of his illness. King Ning was suspicious of believing him, so he asked someone to go to test him. If he was really ill, he would take good care of himself. If he was deliberately taking care of his illness, he would calculate the total after autumn. But how to test, but has become a big trouble, can't meet directly asked? Even if asked, people will certainly not say ah! So King Ning came up with an idea. He heard that Wen Zhengming was a versatile calligrapher, and his calligraphy attainments were extraordinary. He asked him to write ten thousand character essays, each of which had to be exactly the same. This is obviously a deliberate embarrassment. How can you be exactly the same? However, King Ning knew that Wen Zhengming had a unique skill. He could fold ten pieces of paper and write calligraphy on them. His brush power could penetrate all the paper and the bottom of the desk. Each piece of writing was clear, just like the new one, which could be called penetrating. www.novelhold.com , the fastest update of the webnovel!
