Chapter 195
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Chapter 195
Hoo~, another day is over.
After stretching his arms, Hyang tidied up the papers in his office and stepped outside.
Hyang got on the horse that the eunuch had brought for him and waved to the cavalrymen and eunuchs waiting in front.
Lets go back.
Yes! Lets go!
***
Hmm Its quiet and peaceful.
Hyang, who was now free to look around thanks to his horse knowing the way, muttered as he looked at the surrounding scenery.
As Hyang said, the journey from Area 51 back to Gyeongbokgung Palace was peaceful.
***
After the Malbok incident, there had been several more cases of geukjeong (striking a bell or gong to appeal for justice). However, at the suggestion of the ministers, who pointed out that it could be a safety issue if such incidents occurred while Sejong was away, a new office was created to receive petitions.
The creation of this new office had the biggest impact on the Law Prohibiting Commoners from Accusing Local Officials.
The Law Prohibiting Commoners from Accusing Local Officials, which stated that commoners cannot accuse the local officials who govern them, had been the subject of numerous petitions calling for its abolition.
Even if the corrupt officials do something wrong, we cannot report it, so please abolish the law!
Petitions with similar content continued to be submitted, but Sejong never accepted them.
The sages said that the military and the people are one! The local officials are those who have gone out to carry out my will! Just as it is not right for a child to criticize his parents, it is also not right to criticize them!
Sejong rejected each petition with these words.
The reason Sejong was so strongly opposed to it was because he saw allowing citizens to accuse local officials as a weakening of the royal authority.
The vast majority of those who could write such petitions were the local literati.Read latest chapters at nov(e)lbin.com Only
The biggest reason why these local literati wrote petitions was to weaken the power of the local officials and protect their own interests.
Thus, the Buminkosogeumjibeop, which had been maintained by Sejongs strong will, was gradually losing its effectiveness as the reforms progressed.
At least the Office of Monopoly[1] of the Ministry of Taxation, which was deployed at least at the military unit level, was a major institution that checked the local officials in addition to its assigned tasks.
The Household Register and Land Register that were placed in the local government offices had to be copied and kept at the Office of Monopoly.
In addition, inspectors regularly went down to check if the contents of the Hojeokdaejang and Tojidaejang held by the two institutions were the same.
Another reason was that the power of the local literati had greatly declined due to the Giyu Rebellion that took place the previous year.
Finally, in the year Gyeongsul, Sejong officially abolished the Law Prohibiting Commoners from Accusing Local Officials.
It is the duty of the king to listen to the appeals of the people, and it is only natural to do so. However, those who falsely accuse local officials for their own gain will be punished for the crime of deceiving the king.
Sejong, who posted proclamations throughout Joseon, established an independent department in the government office where each provincial governor stayed to receive petitions.
The task of this department was to transcribe the petition in two parts as soon as it was received, send one part to the governor and the other to Hanseong.
In addition, a receipt with a date was always issued to the petitioner.
The governor who received the petition reviewed the contents of the petition and made a fair judgment, and reported the result to the petitioner and Hanseong.
If the petitioner could not accept the result, he could go directly to Hanseong to appeal.
At this time, the first thing those who received the appeal in Hanseong checked was the receipt that the appellant brought.
With the date and petition number recorded on the receipt, the officials of the reception office checked the reports that came up from the local area.
If there was any omission in this process, it was a serious crime that could cost the governor his life.
If everything was in order, the appellants appeal was immediately sent to Sejong and the ministers.
Then, the answer was given after coordinating the opinions of Sejong and the ministers.
At this point, the appellant accepted the result regardless of the outcome.
It was the kings judgment.
It was only natural that Hyangs influence was felt in this whole process.
By introducing the double-check process, which was the most basic in the 21st century, the possibility of fraud was greatly reduced.
Of course, when Hyang first proposed the idea, the ministers opposed it, saying that it would increase the workload of the officials.
However, Sejong accepted Hyangs opinion as it was.
The officials may say it is difficult, but it is right to do so because it will reduce the injustice of the people.
Thanks to this, the number of people who filed complaints or appealed to the court decreased, and Hyangs commute to and from work became quieter.
***
It was quiet on the streets of Hanseong because it was late at night.
No, he didnt just look down on them; he ignored them as if they had no value.
At that time, Joseon music was divided into the Left and Right Music Bureaus. The Left Music Bureau was Aak, and the Right Music Bureau was Hyangak and Dangak.
Aak, which Park Yeon claimed was the only music, was originally the music of ancient China.
This Aak was brought in from Song during the reign of King Yejong of Goryeo and was used for royal events.
So Park Yeon went through the classical Chinese sources to create reference materials, and based on those materials, he created Aak instruments and Aak scores.
Park Yeons goal was to return to the original Aak as described in the Chinese classics, that is, the Aak played in the Zhou Dynasty.
Hmm
Hyang listened to Anpyeongs explanation and pondered with a serious face.
So in simple terms, theyre fighting over whether its bibimbap or tteokbokki, but originally it was bibimbap that could only be eaten in a restaurant, so its like saying that neither bibimbap nor tteokbokki is tangsuyuk?
Hyang, who had sorted out the situation in his own way, became even more worried.
But come to think of it this doesnt make sense According to my memories of studying Korean history in middle and high school, Park Yeons achievements were to organize Aak and lay the foundation for Joseons unique music. Is this also my influence?
Hyang, who was becoming more and more worried about the story that was so different from what he had learned, raised his head and looked out the window to cool his head.
As Hyang looked around, he saw the roof of Geunjeongjeon and fixed his gaze on it.
After a while, a smile began to spread across Hyangs face.
That old man is there!
Hyang, whose face had become much warmer, turned to Anpyeong.
Park Yeons narrow perspective will soon be broadened.
At Anpyeongs question, Hyang shook his head.
No, Im not good at music. Someone much better than me will come forward.
Someone better than Your Highness
Anpyeongs face brightened as he pondered Hyangs answer.
Thats right! Theres Father!
As Anpyeongs face brightened, Hyang continued.
So, go back and do your best.
Yes!
As Anpyeong, whose face had brightened, turned to leave, Hyang muttered to himself, looking at Geunjeongjeon.
Im just a cheater, but the fact that that old man is literally out of bounds is scary.
***
Lets perfectly restore the Aak described in the Zhou dynasty
Park Yeon, who set this goal and worked hard, reported the results to Sejong.
This is truly wonderful! It seems that your hard work has paid off!
At Sejongs praise, Park Yeon bowed his head and replied.
I am overwhelmed by your praise.
So, whats next?
Yes. I suggest that we use only Aak for all royal and Confucian ceremonies and sacrifices.
Use only Aak? You mean we shouldnt use Hyangak and Dangak?
At Sejongs question, Park Yeon made a puzzled expression and asked back.
Isnt that obvious? Although it has not been fully restored yet, the Aak of the Zhou Dynasty has been restored, so why would we use inferior things like Hyangak or Dangak
Your thinking is wrong.
Sejong cut off Park Yeons words with a stern expression.
Aak is originally not the sacred music of our country, but that of China. The Chinese people would be used to hearing it, so it would be natural to play Aak at sacrifices. However, our people always listen to Hyangak while they are alive, so wouldnt it be strange for them to hear Aak when they die?
Sejong paused for a moment and looked around at Park Yeon and the ministers before continuing.
Officer Park Yeon wants to correct the music of the court, but doing it right is not easy. Even the New Book of Music and L (written by Cai Yuanzheng of the Song Dynasty) is just a formality. Although our music cannot be said to be perfect, we do not necessarily have to be ashamed of it. Can we say that Chinese music is correct?
The ministers nodded at Sejongs words.
This was because if Chinese music books like the New Book of Music and L were properly written, there would have been no need for Park Yeon to do the restoration work.
After that, Park Yeon continued to be rejected by Sejong and had to reorganize the music.
In another sense, he too was beginning to be divided in his principles.
Jeonmaecheong Office of Monopoly () was a government agency during Koreas Joseon dynasty that held legal monopolies over specific goods and services.[]
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Chapter 195
Hoo~, another day is over.
After stretching his arms, Hyang tidied up the papers in his office and stepped outside.
Hyang got on the horse that the eunuch had brought for him and waved to the cavalrymen and eunuchs waiting in front.
Lets go back.
Yes! Lets go!
***
Hmm Its quiet and peaceful.
Hyang, who was now free to look around thanks to his horse knowing the way, muttered as he looked at the surrounding scenery.
As Hyang said, the journey from Area 51 back to Gyeongbokgung Palace was peaceful.
***
After the Malbok incident, there had been several more cases of geukjeong (striking a bell or gong to appeal for justice). However, at the suggestion of the ministers, who pointed out that it could be a safety issue if such incidents occurred while Sejong was away, a new office was created to receive petitions.
The creation of this new office had the biggest impact on the Law Prohibiting Commoners from Accusing Local Officials.
The Law Prohibiting Commoners from Accusing Local Officials, which stated that commoners cannot accuse the local officials who govern them, had been the subject of numerous petitions calling for its abolition.
Even if the corrupt officials do something wrong, we cannot report it, so please abolish the law!
Petitions with similar content continued to be submitted, but Sejong never accepted them.
The sages said that the military and the people are one! The local officials are those who have gone out to carry out my will! Just as it is not right for a child to criticize his parents, it is also not right to criticize them!
Sejong rejected each petition with these words.
The reason Sejong was so strongly opposed to it was because he saw allowing citizens to accuse local officials as a weakening of the royal authority.
The vast majority of those who could write such petitions were the local literati.Read latest chapters at nov(e)lbin.com Only
The biggest reason why these local literati wrote petitions was to weaken the power of the local officials and protect their own interests.
Thus, the Buminkosogeumjibeop, which had been maintained by Sejongs strong will, was gradually losing its effectiveness as the reforms progressed.
At least the Office of Monopoly[1] of the Ministry of Taxation, which was deployed at least at the military unit level, was a major institution that checked the local officials in addition to its assigned tasks.
The Household Register and Land Register that were placed in the local government offices had to be copied and kept at the Office of Monopoly.
In addition, inspectors regularly went down to check if the contents of the Hojeokdaejang and Tojidaejang held by the two institutions were the same.
Another reason was that the power of the local literati had greatly declined due to the Giyu Rebellion that took place the previous year.
Finally, in the year Gyeongsul, Sejong officially abolished the Law Prohibiting Commoners from Accusing Local Officials.
It is the duty of the king to listen to the appeals of the people, and it is only natural to do so. However, those who falsely accuse local officials for their own gain will be punished for the crime of deceiving the king.
Sejong, who posted proclamations throughout Joseon, established an independent department in the government office where each provincial governor stayed to receive petitions.
The task of this department was to transcribe the petition in two parts as soon as it was received, send one part to the governor and the other to Hanseong.
In addition, a receipt with a date was always issued to the petitioner.
The governor who received the petition reviewed the contents of the petition and made a fair judgment, and reported the result to the petitioner and Hanseong.
If the petitioner could not accept the result, he could go directly to Hanseong to appeal.
At this time, the first thing those who received the appeal in Hanseong checked was the receipt that the appellant brought.
With the date and petition number recorded on the receipt, the officials of the reception office checked the reports that came up from the local area.
If there was any omission in this process, it was a serious crime that could cost the governor his life.
If everything was in order, the appellants appeal was immediately sent to Sejong and the ministers.
Then, the answer was given after coordinating the opinions of Sejong and the ministers.
At this point, the appellant accepted the result regardless of the outcome.
It was the kings judgment.
It was only natural that Hyangs influence was felt in this whole process.
By introducing the double-check process, which was the most basic in the 21st century, the possibility of fraud was greatly reduced.
Of course, when Hyang first proposed the idea, the ministers opposed it, saying that it would increase the workload of the officials.
However, Sejong accepted Hyangs opinion as it was.
The officials may say it is difficult, but it is right to do so because it will reduce the injustice of the people.
Thanks to this, the number of people who filed complaints or appealed to the court decreased, and Hyangs commute to and from work became quieter.
***
It was quiet on the streets of Hanseong because it was late at night.
No, he didnt just look down on them; he ignored them as if they had no value.
At that time, Joseon music was divided into the Left and Right Music Bureaus. The Left Music Bureau was Aak, and the Right Music Bureau was Hyangak and Dangak.
Aak, which Park Yeon claimed was the only music, was originally the music of ancient China.
This Aak was brought in from Song during the reign of King Yejong of Goryeo and was used for royal events.
So Park Yeon went through the classical Chinese sources to create reference materials, and based on those materials, he created Aak instruments and Aak scores.
Park Yeons goal was to return to the original Aak as described in the Chinese classics, that is, the Aak played in the Zhou Dynasty.
Hmm
Hyang listened to Anpyeongs explanation and pondered with a serious face.
So in simple terms, theyre fighting over whether its bibimbap or tteokbokki, but originally it was bibimbap that could only be eaten in a restaurant, so its like saying that neither bibimbap nor tteokbokki is tangsuyuk?
Hyang, who had sorted out the situation in his own way, became even more worried.
But come to think of it this doesnt make sense According to my memories of studying Korean history in middle and high school, Park Yeons achievements were to organize Aak and lay the foundation for Joseons unique music. Is this also my influence?
Hyang, who was becoming more and more worried about the story that was so different from what he had learned, raised his head and looked out the window to cool his head.
As Hyang looked around, he saw the roof of Geunjeongjeon and fixed his gaze on it.
After a while, a smile began to spread across Hyangs face.
That old man is there!
Hyang, whose face had become much warmer, turned to Anpyeong.
Park Yeons narrow perspective will soon be broadened.
At Anpyeongs question, Hyang shook his head.
No, Im not good at music. Someone much better than me will come forward.
Someone better than Your Highness
Anpyeongs face brightened as he pondered Hyangs answer.
Thats right! Theres Father!
As Anpyeongs face brightened, Hyang continued.
So, go back and do your best.
Yes!
As Anpyeong, whose face had brightened, turned to leave, Hyang muttered to himself, looking at Geunjeongjeon.
Im just a cheater, but the fact that that old man is literally out of bounds is scary.
***
Lets perfectly restore the Aak described in the Zhou dynasty
Park Yeon, who set this goal and worked hard, reported the results to Sejong.
This is truly wonderful! It seems that your hard work has paid off!
At Sejongs praise, Park Yeon bowed his head and replied.
I am overwhelmed by your praise.
So, whats next?
Yes. I suggest that we use only Aak for all royal and Confucian ceremonies and sacrifices.
Use only Aak? You mean we shouldnt use Hyangak and Dangak?
At Sejongs question, Park Yeon made a puzzled expression and asked back.
Isnt that obvious? Although it has not been fully restored yet, the Aak of the Zhou Dynasty has been restored, so why would we use inferior things like Hyangak or Dangak
Your thinking is wrong.
Sejong cut off Park Yeons words with a stern expression.
Aak is originally not the sacred music of our country, but that of China. The Chinese people would be used to hearing it, so it would be natural to play Aak at sacrifices. However, our people always listen to Hyangak while they are alive, so wouldnt it be strange for them to hear Aak when they die?
Sejong paused for a moment and looked around at Park Yeon and the ministers before continuing.
Officer Park Yeon wants to correct the music of the court, but doing it right is not easy. Even the New Book of Music and L (written by Cai Yuanzheng of the Song Dynasty) is just a formality. Although our music cannot be said to be perfect, we do not necessarily have to be ashamed of it. Can we say that Chinese music is correct?
The ministers nodded at Sejongs words.
This was because if Chinese music books like the New Book of Music and L were properly written, there would have been no need for Park Yeon to do the restoration work.
After that, Park Yeon continued to be rejected by Sejong and had to reorganize the music.
In another sense, he too was beginning to be divided in his principles.
Jeonmaecheong Office of Monopoly () was a government agency during Koreas Joseon dynasty that held legal monopolies over specific goods and services.[]
Chapter 195Hoo~, another day is over.After stretching his arms, Hyang tidied up the papers in his office and stepped outside.Hyang got on the horse that the eunuch had brought for him and waved to the cavalrymen and eunuchs waiting in front.Lets go back.Yes! Lets go!***Hmm Its quiet and peaceful.Hyang, who was now free to look around thanks to his horse knowing the way, muttered as he looked at the surrounding scenery.As Hyang said, the journey from Area 51 back to Gyeongbokgung Palace was peaceful.***After the Malbok incident, there had been several more cases of geukjeong striking a bell or gong to appeal for justice. However, at the suggestion of the ministers, who pointed out that it could be a safety issue if such incidents occurred while Sejong was away, a new office was created to receive petitions.The creation of this new office had the biggest impact on the Law Prohibiting Commoners from Accusing Local Officials.The Law Prohibiting Commoners from Accusing Local Officials, which stated that commoners cannot accuse the local officials who govern them, had been the subject of numerous petitions calling for its abolition.Even if the corrupt officials do something wrong, we cannot report it, so please abolish the law!Petitions with similar content continued to be submitted, but Sejong never accepted them.The sages said that the military and the people are one! The local officials are those who have gone out to carry out my will! Just as it is not right for a child to criticize his parents, it is also not right to criticize them!Sejong rejected each petition with these words.The reason Sejong was so strongly opposed to it was because he saw allowing citizens to accuse local officials as a weakening of the royal authority.The vast majority of those who could write such petitions were the local literati.Read latest chapters at novelbin.com OnlyThe biggest reason why these local literati wrote petitions was to weaken the power of the local officials and protect their own interests.Thus, the Buminkosogeumjibeop, which had been maintained by Sejongs strong will, was gradually losing its effectiveness as the reforms progressed.At least the Office of Monopoly1 of the Ministry of Taxation, which was deployed at least at the military unit level, was a major institution that checked the local officials in addition to its assigned tasks.The Household Register and Land Register that were placed in the local government offices had to be copied and kept at the Office of Monopoly.In addition, inspectors regularly went down to check if the contents of the Hojeokdaejang and Tojidaejang held by the two institutions were the same.Another reason was that the power of the local literati had greatly declined due to the Giyu Rebellion that took place the previous year.Finally, in the year Gyeongsul, Sejong officially abolished the Law Prohibiting Commoners from Accusing Local Officials.It is the duty of the king to listen to the appeals of the people, and it is only natural to do so. However, those who falsely accuse local officials for their own gain will be punished for the crime of deceiving the king.Sejong, who posted proclamations throughout Joseon, established an independent department in the government office where each provincial governor stayed to receive petitions.The task of this department was to transcribe the petition in two parts as soon as it was received, send one part to the governor and the other to Hanseong.In addition, a receipt with a date was always issued to the petitioner.The governor who received the petition reviewed the contents of the petition and made a fair judgment, and reported the result to the petitioner and Hanseong.If the petitioner could not accept the result, he could go directly to Hanseong to appeal.At this time, the first thing those who received the appeal in Hanseong checked was the receipt that the appellant brought.With the date and petition number recorded on the receipt, the officials of the reception office checked the reports that came up from the local area.If there was any omission in this process, it was a serious crime that could cost the governor his life.If everything was in order, the appellants appeal was immediately sent to Sejong and the ministers.Then, the answer was given after coordinating the opinions of Sejong and the ministers.At this point, the appellant accepted the result regardless of the outcome.It was the kings judgment.It was only natural that Hyangs influence was felt in this whole process.By introducing the double-check process, which was the most basic in the 21st century, the possibility of fraud was greatly reduced.Of course, when Hyang first proposed the idea, the ministers opposed it, saying that it would increase the workload of the officials.However, Sejong accepted Hyangs opinion as it was.The officials may say it is difficult, but it is right to do so because it will reduce the injustice of the people.Thanks to this, the number of people who filed complaints or appealed to the court decreased, and Hyangs commute to and from work became quieter.***It was quiet on the streets of Hanseong because it was late at night.No, he didnt just look down on them; he ignored them as if they had no value.At that time, Joseon music was divided into the Left and Right Music Bureaus. The Left Music Bureau was Aak, and the Right Music Bureau was Hyangak and Dangak.Aak, which Park Yeon claimed was the only music, was originally the music of ancient China.This Aak was brought in from Song during the reign of King Yejong of Goryeo and was used for royal events.So Park Yeon went through the classical Chinese sources to create reference materials, and based on those materials, he created Aak instruments and Aak scores.Park Yeons goal was to return to the original Aak as described in the Chinese classics, that is, the Aak played in the Zhou Dynasty.HmmHyang listened to Anpyeongs explanation and pondered with a serious face.So in simple terms, theyre fighting over whether its bibimbap or tteokbokki, but originally it was bibimbap that could only be eaten in a restaurant, so its like saying that neither bibimbap nor tteokbokki is tangsuyuk?Hyang, who had sorted out the situation in his own way, became even more worried.But come to think of it this doesnt make sense According to my memories of studying Korean history in middle and high school, Park Yeons achievements were to organize Aak and lay the foundation for Joseons unique music. Is this also my influence?Hyang, who was becoming more and more worried about the story that was so different from what he had learned, raised his head and looked out the window to cool his head.As Hyang looked around, he saw the roof of Geunjeongjeon and fixed his gaze on it.After a while, a smile began to spread across Hyangs face.That old man is there!Hyang, whose face had become much warmer, turned to Anpyeong.Park Yeons narrow perspective will soon be broadened.At Anpyeongs question, Hyang shook his head.No, Im not good at music. Someone much better than me will come forward.Someone better than Your HighnessAnpyeongs face brightened as he pondered Hyangs answer.Thats right! Theres Father!As Anpyeongs face brightened, Hyang continued.So, go back and do your best.Yes!As Anpyeong, whose face had brightened, turned to leave, Hyang muttered to himself, looking at Geunjeongjeon.Im just a cheater, but the fact that that old man is literally out of bounds is scary.***Lets perfectly restore the Aak described in the Zhou dynastyPark Yeon, who set this goal and worked hard, reported the results to Sejong.This is truly wonderful! It seems that your hard work has paid off!At Sejongs praise, Park Yeon bowed his head and replied.I am overwhelmed by your praise.So, whats next?Yes. I suggest that we use only Aak for all royal and Confucian ceremonies and sacrifices.Use only Aak? You mean we shouldnt use Hyangak and Dangak?At Sejongs question, Park Yeon made a puzzled expression and asked back.Isnt that obvious? Although it has not been fully restored yet, the Aak of the Zhou Dynasty has been restored, so why would we use inferior things like Hyangak or DangakYour thinking is wrong.Sejong cut off Park Yeons words with a stern expression.Aak is originally not the sacred music of our country, but that of China. The Chinese people would be used to hearing it, so it would be natural to play Aak at sacrifices. However, our people always listen to Hyangak while they are alive, so wouldnt it be strange for them to hear Aak when they die?Sejong paused for a moment and looked around at Park Yeon and the ministers before continuing.Officer Park Yeon wants to correct the music of the court, but doing it right is not easy. Even the New Book of Music and L written by Cai Yuanzheng of the Song Dynasty is just a formality. Although our music cannot be said to be perfect, we do not necessarily have to be ashamed of it. Can we say that Chinese music is correct?The ministers nodded at Sejongs words.This was because if Chinese music books like the New Book of Music and L were properly written, there would have been no need for Park Yeon to do the restoration work.After that, Park Yeon continued to be rejected by Sejong and had to reorganize the music.In another sense, he too was beginning to be divided in his principles.Jeonmaecheong Office of Monopoly was a government agency during Koreas Joseon dynasty that held legal monopolies over specific goods and services.
